PlayStation 4/5, Nintendo Switch/Switch 2, Xbox, PC; Square-Enix
This landmark role-playing game remains a revolutionary tour de force

At first glance, Final Fantasy Tactics: The Ivalice Chronicles, first released in 1997 and now available in newly remastered guise, does little to separate itself from other boilerplate fantasy fiction. There is a hero, Ramza – an idealistic nobleman with luscious blond hair who cavorts about the medieval-inspired realm of Ivalice in search of high adventure. But quickly, and with narrative elegance, the picture complicates: peasant revolutionaries duke it out with gilded monarchists; machiavellian plots plunge the kingdom into chaos. Ramza must navigate this knotty political matrix, all while experiencing his own ideological awakening.

There is a strong case to be made that Final Fantasy Tactics tells a better story than the landmark Final Fantasy VII (which saw Cloud Strife and a ragtag bunch of eco-terrorist pals taking on the shady megacorporation Shinra). And with our real-world political focus shifting from the looming threat of the climate crisis to the more pressing rise of fascism (though the two are inextricably linked), one can make the argument that Tactics is now also the more timely game.

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© Photograph: Square Enix

© Photograph: Square Enix

© Photograph: Square Enix

Although video games are taking longer to make, a studio renowned for immersive experiences managed to release three this year.

PC, PlayStation 5, Xbox; Eyes Out/Blumhouse Games
Psychedelic visuals and a promising premise are let down by tired game design in this first-person horror with an appearance from the synthpop pioneer

Video games have delivered a feast of singular and wondrous sights in 2025: ecological fantasias teeming with magical beasts; stunning, historically obsessive recreations of feudal Japan. But here is an end-of-year curio: psychological horror game Sleep Awake serves us synth-rock pioneer Gary Numan stepping into what is perhaps the schlockiest role of his life – a gigantic floating head named Hypnos.

This late-stage cameo is not quite indicative of the game as a whole; the handful of hours prior to Numan’s arrival are more mournful than madcap. Mostly, you explore the dilapidated, tumbledown streets of what is thought to be the last city on Earth. This setting is a magnificent work of imagination. You see it through the eyes of a young woman named Katja, who moves along rooftops, gazing out upon a barren, lifeless hinterland, into labyrinthine streets whose darkness and arcane logic recall the stirring subterranean etchings of Italian artist Piranesi.

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© Photograph: Blumhouse Games

© Photograph: Blumhouse Games

© Photograph: Blumhouse Games