It is now officially summer. Yesterday, the solstice (Litha, as it’s known to some) brought us our longest day of the calendar year, and now we march on to ever darkening days. But right now, we’re just marching on into the weekend to spend that time off in some delightful digital realms.
Whether or not they actually amount to anything, rumours of a new Doom have had me diving back into Doom Eternal recently. There’s at least one level in it that feels like essay-bait, so I’m obliging. The centerpiece of Mars Core - the FPS’ best level - is a comically massive superweapon called the BFG-10000. Oh, Chekov. If only you could see what we’ve done with your wisdom. The literary subtlety to gun-big-enough-to-scar-planets pipeline will eventually subsume all of pop culture, and those of us who chose to specialise writing about headshots will alternate between grins and tears from the wreckage.
Who'd have guessed the Doom Slayer's latest weapon would be a shield?
Doom: The Dark Ages promises a bold new take on the long-running shooter’s legacy. Revealed in a short but loud trailer as part of the Xbox Games Showcase, it features dragon riding, mech battles, and a much darker, more ‘metal’ visual palette. But those grimdark ideas aren't the only …
The next Doom game - the first new instalment in over four years, after Doom Eternal - is reportedly taking a leaf out of Evil Dead: Army of Darkness’ necronomicon by transporting the Doom Slayer back to a medieval world to presumably battle hellspawn. According to a new report, it’s subtitled The Dark Ages and we’ll get an official reveal next week.
A trademark for what looks to be a new Doom game has resurfaced after originally being filed by Bethesda back in January, as the suggestion of a reveal in a few weeks' time now swirls.
The pending trademark, filed in the US, is titled "IDKFA" - a well-known cheat code used in the Doom series.
This isn't the first we've heard of a new Doom game being in development. A project referred to as "Doom: Year Zero" was named in a release schedule accidentally shared by Microsoft last year, in documents pertaining to its Activision Blizzard FTC court case. (That document also mentioned Ghostwire: Tokyo and Dishonored sequels, which sadly seem likely to no longer be happening.)
This news post leaves me in a quandary, readers, because I will need to write a swear word for the sake of full journalistic transparency, but Google’s algorithms tend to frown on sweary articles. On the other hand, Google’s algorithms don’t like it when you spend whole intros handwringing about Google’s algorithms, either, so let’s stop, er, faffing around and speak of Doom. Id Software parent company Zenimax recently trademarked “IDKFA”, a string of letters that will be of deep significance to original Doom players, and which may therefore be evidence of an impending announcement.
Valve's Steam Deck is a highly capable piece of kit, often reaching parity with last-gen consoles at ~720p, while more demanding current-gen efforts can prove quite playable as well - even including some of the top-end Unreal Engine 5 titles. The RDNA2 graphics hardware inside the Deck is even capable of ray tracing, though this support has largely been dormant in SteamOS. That's started to change over the last year, with first Vulkan and then DXR-enabled titles running under Proton with RT enabled - and RT performance has seen big boosts as well.
Today we're taking a look at the state of play when it comes to RT on Steam Deck, looking at some of the best-looking PC titles to see whether they can be playable with RT engaged. Can we get good frame-rates even with demanding ray tracing settings? And how does the Valve's handheld compare in performance terms against the more powerful ROG Ally?
The most obvious place to start is with the Steam Deck is some of the easier ray tracing workloads available - and I think Doom Eternal is a good first choice. The game runs well with minimal settings tweakery: 720p resolution, medium settings and RT toggled on. Relative to the non-RT version of the game, we get solid (if somewhat low-res and slightly ghostly) reflections on glossy surfaces, with very different material properties when RT is enabled. This makes for a transformative difference in scenes with glossy materials, though an aggressive roughness cutoff means that semi-gloss materials are largely bereft of RT treatment.
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