In this episode, Brad covers:
Dungeons of Hinterberg
Grow Up
Mars 2120
Thank Goodness You’re Here!
Deathbound
FNAF: Into the Pit
…And more!
You can also hear the show on iTunes and Spotify!
Please send feedback and mailbag questions to SoVideogamesPODCAST (at) gmail (dot) com, or post them in the comments section below. Thanks!
Thank Goodness You're Here opens with an advert for Peans ("Not quite peas, not quite beans, but something delicious in betweens") and finishes with a song. But developer Coal Supper's absurdist comedy adventure is so relentlessly, gleefully unpredictable throughout – so improbably overstuffed with impeccable gags and surreal detours – it's hard to know where to begin.
So let's play it safe and start at the beginning. You are the hero of the piece – a nameless man of indeterminate age and wilfully inconsistent height – who, as the adventure opens, is sent on a work trip to the fictitious Northern England town of Barnsworth for reasons never entirely clear. At which point, Thank Goodness You're Here immediately lets you know what kind of game it is by insisting you exit the boss' office by jumping out the ten-storey window instead of the door. Cue a note-perfect montage of mid-20th-century archival footage – all coal mines, red brick houses, and dour-faced ladies scouring busy market stalls – as bawdy ditty The Marrow Song plinks out, and away we go.
Without wanting to get ahead of myself, Thank Goodness You're Here is, I think, brilliant – a bold bit of masterfully orchestrated comedy that confounds expectations at every conceivable turn. Its very specific brand of surreal, anything-for-a-gag whimsy won't be to everyone's taste, but the way it merrily manipulates form to heighten its impeccable comedic rhythms is a true delight to behold – even if it takes a bit of time to show the method in its mayhem.
Thank Goodness You're Here opens with an advert for Peans ("Not quite peas, not quite beans, but something delicious in betweens") and finishes with a song. But developer Coal Supper's absurdist comedy adventure is so relentlessly, gleefully unpredictable throughout – so improbably overstuffed with impeccable gags and surreal detours – it's hard to know where to begin.
So let's play it safe and start at the beginning. You are the hero of the piece – a nameless man of indeterminate age and wilfully inconsistent height – who, as the adventure opens, is sent on a work trip to the fictitious Northern England town of Barnsworth for reasons never entirely clear. At which point, Thank Goodness You're Here immediately lets you know what kind of game it is by insisting you exit the boss' office by jumping out the ten-storey window instead of the door. Cue a note-perfect montage of mid-20th-century archival footage – all coal mines, red brick houses, and dour-faced ladies scouring busy market stalls – as bawdy ditty The Marrow Song plinks out, and away we go.
Without wanting to get ahead of myself, Thank Goodness You're Here is, I think, brilliant – a bold bit of masterfully orchestrated comedy that confounds expectations at every conceivable turn. Its very specific brand of surreal, anything-for-a-gag whimsy won't be to everyone's taste, but the way it merrily manipulates form to heighten its impeccable comedic rhythms is a true delight to behold – even if it takes a bit of time to show the method in its mayhem.
British comedy is too often defined by its relationship to America: either as merely irony and sarcasm, which we're told Americans don't understand, or as a sprightly ideas factory for works such as The Office, which Americans can bless by re-making at scale.
Peel back the curtains of American cultural hegemony however and you may find the true pulsing core of British comedy that lies beneath: innuendo. No American network is in a bidding war to import Vic and Bob or remake Bottom, and Carry On and Benny Hill are assumed to be anachronisms in our modern times, but Thank Goodness You're Here! enters the conversation with a nudge and a wink. It's a cheeky 2-3 hour adventure through a small northern town, and it's here to educate the entire world of our nation's obsession with sausages and bare bottoms.
British comedy is too often defined by its relationship to America: either as merely irony and sarcasm, which we're told Americans don't understand, or as a sprightly ideas factory for works such as The Office, which Americans can bless by re-making at scale.
Peel back the curtains of American cultural hegemony however and you may find the true pulsing core of British comedy that lies beneath: innuendo. No American network is in a bidding war to import Vic and Bob or remake Bottom, and Carry On and Benny Hill are assumed to be anachronisms in our modern times, but Thank Goodness You're Here! enters the conversation with a nudge and a wink. It's a cheeky 2-3 hour adventure through a small northern town, and it's here to educate the entire world of our nation's obsession with sausages and bare bottoms.
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