If someone was keeping track of MMORPG gaming achievements that encompassed all of your online career, would you have earned that special award that said that you — yes you — had tried and played a 2-D MMO at some point in your life? There aren’t a lot of them out there, but it’s not […]
If id Software’s DOOM is generally regarded as the ‘godfather’ of the first-person shooter genre, then Duke Nukem 3D must surely be its wayward, beer-drinking, loudmouth, blond-headed stepchild. With countless P.I.G. cops wasted, innumerable wisecracks delivered, and enough gooey gibs to fill a small continent since its original release in 1996, it is now, on its 30th anniversary, that we take a step back in time to examine how Duke Nukem 3D revolutionised the first-person shooter genre.
Build It, And They Shall Come Get Some
Although the Build engine made its debut just a few months earlier with the much-underrated and oft-forgotten first-person melee fantasy effort Witchaven, it was arguably with 3D Realms’ Duke Nukem 3D that this remarkable piece of game-engineering arcana achieved sustained global fame. Simply put, the Build engine represented an outsized technical leap over the DOOM engine that preceded it. Brought into being by the talented Ken Silverman, the Build engine not only enabled far more dynamic maps and environments – where rooms could seemingly be stacked atop one another – but also allowed players to swim through deep expanses of water, soar through the air, and enjoy a thrilling sense of verticality that DOOM could only dream of.
This, in turn, gave Duke Nukem 3D’s level designers fertile ground upon which to dream up tremendously intricate and expansive levels for players to explore and blast their way through. Further afield, the Build engine was also notably user-friendly, allowing aspiring level designers to construct their own maps quickly and easily, share them within the community, and extend the lifespan of Duke Nukem 3D’s adventures even further.
Interactivity On An Unprecedented Level That Made Every Map Feel Authentic
Beyond its technical innovations, the Build engine also endowed Duke Nukem 3D with a level of interactivity the genre simply had not witnessed up to that point. Long before EA’s Battlefield franchise ever demolished its first wall or reduced its first building to rubble, Duke Nukem 3D was already doing so years earlier. Players could blow holes in the sides of buildings, shatter interior walls, smash furniture into splinters, and occasionally trigger explosions that would raze entire structures to the ground.
The defining properties of the Build engine were not limited solely to destruction, either. In Duke Nukem 3D, every map was functional in ways that were entirely new to genre fans at the time. There were fully usable pool tables, CCTV terminals that could be snooped on, working light switches, and toilets that could be flushed – or promptly destroyed and drunkenly imbibed from to regain health. In another technical first, the game also featured properly functional mirrors that accurately reflected the player. And yes, dancers could be tipped with dollar bills as well.
In addition to these elements, Duke Nukem 3D’s many levels were grounded by a distinct sense of place. Supermarkets, strip clubs, burger joints, and city streets all served as battlegrounds against the encroaching alien menace intent on enslaving humanity. These locations were a refreshing change from the oppressive warehouse greys and endless browns and reds that typified much of id Software’s own output at the time.
An Outlandish Hero With An Outlandish Arsenal To Match
While shooter fans had hardly grown tired of the traditional lineup of pistols, shotguns, chainsaws, rocket launchers, and miniguns offered by earlier genre entries, Duke Nukem 3D nonetheless went all-in on a bespoke arsenal of weaponry. It straddled the familiar (pistols, shotguns, pipe bombs, and machine guns) with the exotic, including shrink rays, freeze rays, expander rays, and laser trip bombs. The result was an arsenal that made each new acquisition feel like a genuine thrill from one level to the next.
These weapons also enabled Duke Nukem 3D to introduce a level of tactical play in its multiplayer mode that the genre had scarcely seen before. Rather than everyone simply rushing for the rocket launcher or shotgun, as was common in multiplayer shooters of the era, cunning players could fortify areas with laser trip bombs and make use of the new inventory system. This allowed them to boost themselves with speed-enhancing steroids, strap on a jetpack, or deploy a ‘Holoduke’ to create a decoy version of Duke to distract enemies.
The Last Action Hero – How Duke Nukem 3D Gave The FPS Genre A Personality
Perhaps more than anything else, Duke Nukem 3D will be remembered for giving the first-person shooter genre something it desperately needed in its formative years: personality. Breaking away completely from the mute protagonists that had dominated shooters until then, Duke Nukem 3D featured a main character who simply never stopped talking. Brought to life by the gravelly yet gloriously over-the-top delivery of Jon St. John, our blond-haired, impossibly buff, all-American action hero took aim at everything – and everyone.
The game’s endlessly quotable protagonist also took playful potshots at id Software itself. These included nods to the developer’s past – “Another DOOMed space marine” upon discovering a mangled corpse – and its future, with the immortal “I ain’t afraid of no Quake!” uttered as an earthquake levelled an entire building. Though pointedly, while id Software’s Quake would indeed usher in a fully 3D era for the genre, it would be more than a decade before Duke Nukem followed suit.
The Aftermath And The Surprisingly Great Copycats That Would Follow
Between the release of Duke Nukem 3D and the sadly risible Duke Nukem Forever, many years later, 3D Realms’ marquee shooter would go on to directly inspire a host of other games. These titles not only leveraged the Build engine but also introduced their own wisecracking protagonists who thrived in distinctive settings. From Blood, the macabre yet darkly humorous cultist revenge shooter, to the outrageous antics of Shadow Warrior and its eye-rollingly named corporate ninja anti-hero Lo-Wang, Duke Nukem 3D didn’t merely inspire a wave of copycats. It reminded players and developers alike that the first-person shooter genre could not meaningfully evolve without the personality and charisma needed to push it to the next level.
The botanical puzzles of Botany Manor have officially rotated out as the Epic Games Store shifts into a much darker, rain-soaked atmosphere for mid-February. From today, February 12, until February 19 at 11:00 AM ET, you can permanently add the cinematic thriller Nobody Wants to Die and the comedic mystery The Darkside Detective: A Fumble in the Dark to your library for zero dollars. This week’s rotation is a resourceful haul for fans of narrative-driven investigation, providing a high-quality double-feature that would otherwise cost you $40 at retail.
Nobody Wants to Die – Icarus zeppelin
Dystopian Reconstruction in ‘Nobody Wants to Die’
Nobody Wants to Die is a photorealistic, noir-inspired adventure built in Unreal Engine 5 that drops you into a futuristic New York City in the year 2329. You step into the role of Detective James Karra, a man using high-tech time manipulation tools to reconstruct crime scenes and hunt a serial killer targeting the city’s immortal elite. It handles heavy themes like transhumanism and class divide with a thick, atmospheric tone that makes it an essential pick for narrative junkies. While the Steam Store currently lists the game at its standard $24.99 price, it is a massive value-add to any library right now. If you happen to miss the 7-day window, you can typically find global keys on the G2A Marketplace (affiliate) for roughly $2.30 to $5.00 during major sale events.
Nobody Wants to Die – Cab driver with a gun
Supernatural Wit in ‘The Darkside Detective’
Providing a sharp contrast to the grit of NYC, The Darkside Detective: A Fumble in the Dark is a pixel-art point-and-click adventure that prioritizes humor over horror. You follow Detective Francis McQueen through nine paranormal cases in the “mildly cursed” town of Twin Lakes, solving mysteries that range from ghostly disruptions to full-blown demonic urban legends. It relies on self-aware writing and classic adventure logic, currently holding an “Overwhelmingly Positive” rating on the Steam Store where it retails for $14.99. For a resourceful backup later on, the G2A Marketplace usually has keys for approximately $1.90 to $2.50, making it one of the most accessible cult hits in the genre.
The Darkside Detective – Pixelart Twin Peaks Parody free on Epic Games Store
High-Scoring Winter Deals on the Epic Store
If you are looking to spend some actual cash while the Winter Sale is active, the storefront is currently hosting some of the highest-rated games in the industry at significant discounts. For fans of massive, cinematic storytelling, the 90+ Metascore hit God of War Ragnarök is currently 33% off, providing a sprawling Norse epic for around $40. For an even deeper discount on a legendary title, Red Dead Redemption 2 is sitting at 67% off, which is a resourceful way to grab a 93-rated masterpiece for less than $20. Strategy enthusiasts should look toward Total War: Three Kingdoms, which is currently slashed by 75%, a price point that makes the 85-rated campaign an easy recommendation. Finally, for a perfect cooperative experience, the 88-rated It Takes Two is currently 80% off, offering one of the most inventive puzzle-platformers ever made for just a few dollars.
The Epic Games Store recently published its 2025 Year in Review, highlighting a record-breaking $400 million spent on third-party PC titles—a 57% increase over previous years. Total PC player spending hit $1.16 billion, supported by a catalog that has now expanded past 6,000 games. While these figures show aggressive growth, the platform still faces a long road to becoming a true competitor to Steam. Steam’s entrenched community features, social strength, and significantly larger library of niche and legacy titles continue to keep the majority of the gaming population rooted in that ecosystem. To keep the momentum, Epic is maintaining its developer-first approach, allowing studios to keep 100% of their first million dollars in revenue and offering flexible in-game payment solutions that bypass store fees.
Botany Manor: 19th-Century Estate Puzzles
Botany Manor free on Epic Games Store this week
Currently, you can claim Botany Manor for free until February 12 at 11:00 AM ET. This is a first-person puzzle game set in a Victorian estate where you play as a retired botanist researching how to bloom rare, forgotten seeds. It requires you to investigate clues throughout the manor, such as temperature charts and ancient textbooks, to solve the environmental conditions needed for each plant. If you prefer to have it on Valve’s platform, the Steam Store currently lists it at its full $24.99 price point. For a middle ground, the G2A Marketplace has keys available for approximately **$5.40**, which is a significant drop if you miss the Epic window.
Pixel Gun 3D: Poison Retro Set
Pixel Gun 3D
The second freebie this week is the Poison Retro Set for the competitive shooter Pixel Gun 3D. This DLC pack is a high-value claim for active players, bundling three poisonous variants of top-tier weaponry: the Digital Sunrise sniper, the Laser Cycler backup, and the Wave of Poison. It effectively gives you a pre-built, retro-themed loadout without the usual grinding or in-game currency cost. This set usually retails for $24.99 on the Steam Store, so claiming it on Epic for $0 is the most resourceful way to gear up before the rotation on February 12.
Store Engagement and Future Social Features
Epic’s Free Games Program remains its strongest hook, with 662 million titles claimed in 2025 alone. The report also notes that 78% of these games saw all-time peak concurrent player records during their free week on the store. Looking toward the rest of 2026, the company plans to launch “Epic Web Shops” and a completely rebuilt launcher architecture this summer to address long-standing stability and speed issues. They are also planning to introduce game-independent party systems and voice chat in the second quarter, features that are essential if they hope to eventually bridge the social gap that currently gives Steam its primary competitive advantage.
If you were hoping for another gritty shooter or a mainstream AAA title, today’s reveal might surprise you. Epic is continuing its streak of “hidden gem” picks with Sorry We’re Closed, a 2024 survival horror title that feels more like an underground art project than a standard video game.
Sorry We Are Closed Survival Horror
Forget the tired tropes of the genre; this is survival horror with a high-fashion, punk-rock soul.
The Premise: A Literal Race Against Hell
You play as Michelle, a woman living a fairly mundane life until she is cursed by a powerful archdemon. You have exactly three days to find a way to break the curse or face eternal damnation. It’s a tight, stressful narrative where your dialogue choices and actions directly influence which of the multiple endings you’ll hit.
Why It’s a Great Grab
The “Third Eye” Mechanic: Michelle can open her “Third Eye” at any time to peer into a twisted, demonic version of her world. This isn’t just for show—it’s how you find secrets, solve puzzles, and reveal the literal hearts of your enemies to hit their weak points.
Old School Meets New School: The game uses the classic fixed-camera angles of Silent Hill and Resident Evil, but shifts into a slick, first-person arcade shooter perspective when you aim your gun. It solves the “clunky combat” problem of retro horror while keeping the cinematic tension.
Arthouse Aesthetic: The visuals are a wild mix of low-poly PS1 models and vibrant, neon-soaked colors. It looks like a “Club Kid” fever dream, making it one of the most visually distinct games Epic has given away this year.
Sorry We Are Closed – Gameplay kills
Last Thoughts
Sorry We’re Closed usually goes for $20. It’s short, punchy, and perfect for a weekend playthrough. If you want something that prioritizes atmosphere and unique storytelling over budget-bloat, this is a must-add to your library.
You have until December 22 at 11:00 AM ET to claim it for free
We’re not usually in the business of promoting cash shop anything – if you spend in an MMORPG, that’s your call – but we also would be remiss if we didn’t call attention to an opportunity to get free cash shop currency for simply logging in to a game too. That’s just what’s being offered […]
Well, I kind of expected this would happen. No matter how much or how little I might think of an MMORPG or MMO, I never like to really see less of them, but my return trip back into New World for this round of Choose My Adventure just reaffirmed that Amazon is throwing the baby […]
LOW Having to do a boss fight six times because of an AI glitch.
WTF Is that a wading pool full of dentures?
Despite what feelings they might have about a Little Nightmares they didn’t make, the developers at Tarsier should be proud that they created a franchise with vibes so iconic that it’s possible for another studio to make something that is so instantly recognizable as Little Nightmares.
For all of its flaws, no one can make the argument that Little Nightmares 3 doesn’t feel like Little Nightmares. It hits all of the important franchise beats – there are creepily adorable main characters, an oppressive, oversized world, and monstrous entities wholly focused on the heroes’ demise.
What it lacks, by comparison, is a sense that these elements meld together to form a whole — because right now, Little Nightmares 3 feels more like a series of levels than a coherent experience.
Set in a horrible dreamworld recognizable to anyone who’s played any of the others in the franchise, LN3 follows children on a journey through four distinct worlds — a necropolis, a dusty wasteland where birds are slaughtered, a disgusting candy factory and a Dark Carnival where the displays are as upsetting as the attendees. Finally things move to a final level that I won’t reveal, save to say that it is seemingly tied closely to the series’ oblique mythology.
Hopefully one of my major issues is clear based on the list of levels I just outlined – namely that LN3 has no coherent flow to its progression.
While individual levels might have a sense of rising action – players invariably meet that level’s threat about a quarter of the way through and then have to deal with three further encounters before vanquishing it or making good their escape – there’s never a sense that an overall tale is being told. Low, the lead character, has a map that he consults before using his powers to teleport to new areas, but what these areas have to do with one another, or the goal he’s attempting to eventually reach never become clear. At the end of the adventure, I was left with more questions than answers.
To its credit, on a moment-to-moment basis LN3 works well. The puzzles are cleverly designed and clearly laid out, and the AI is good enough so that if a player doesn’t have a live co-op partner, they should have no trouble completing the many two-person objectives. I played most of the campaign in single-player mode, and almost never found myself getting stuck because the computer partner was too slow or confused about what to do.
That said, LN3 really does play better when two live players are involved, and it’s delightful being able to speed things along by having two people working on puzzle elements simultaneously. As such, it makes the lack of single-screen co-op feel like an oversight. There are a few locations when two characters have to separate, but they’re few and far between, and the success of things like It Takes Two and Split Fiction have proven that split-screens work just fine. At least they aren’t forcing players to buy two copies – as long as the host has a copy of LN3, their co-op partner can simply download the demo and play with a Friend’s Pass.
In a large sense, I don’t have many complaints about Little Nightmares 3. Each new area is beautifully realized, the monsters are scary, and the skin-of-the-teeth escapes are as thrilling as one would hope. However, as I closed in on the end, I couldn’t help but feel that it all felt vaguely hollow. It’s definitely a Little Nightmares title, but it never feels like it has anything to say, or that it’s building to something profound. Even the ending was underwhelming, although given that it has to be compared to the sadistic gut punch in Little Nightmares 2, that was probably always going to be the case.
Little Nightmares 3 might be the least of the trilogy so far, but anyone who wants to have a new experience in its horribly bleak and oppressive world will still find this a great opportunity to do so — it just doesn’t come together as darkly perfect as it should.
Rating: 6.5 out of 10
Disclosures: This game is developed by Supermassive Games and published by Bandai Namco. It currently available on PC/PS5/XBS-X/SW. Copies of the game was obtained via publisher and reviewed on the PS5. Approximately 10 hours of play was devoted to the single-player mode. The game was completed. 2 hours were spent in Multiplayer modes.
Parents: This game was rated T by the ESRB, and it features Violence and Blood & Gore. This is a disturbing world full of violent imagery, but it’s presented in such a cartoony and grotesque way that I suspect even younger teens won’t find it excessive. Be prepared to be haunted by some of these creatures, though. That will happen.
Colorblind Modes: The game does contain colorblind modes.
Deaf & Hard of Hearing Gamers: I played almost the entire game without sound and encountered zero difficulties. All information is provided via text, which can be resized. The game is fully accessible.
Remappable Controls: No, the game’s controls are not remappable.
Game Reviews, News, Videos & More for Every Gamer – PC, PlayStation, Xbox, and Beyond @ WePlayGames 2025
Massively Overpowered
