Steam store page

One of my favorite activities in Minecraft is going deep inside the caves and just exploring them. A few years ago, the developers behind Cave Digger reached out to me and asked me to review their game. Not too long after, the sequel got released and looked like it would be a VR exclusive. Until I noticed that it appeared on the Nintendo Switch eShop. So, I thought, maybe it also released on Steam, since after playing the Switch version, I felt like this game was better played with keyboard and mouse. Now, a non VR version is on Steam now… But is it worth it? Well, after playing the first sections of this game, I want to talk about it. The latest update was on May 28th, 2024 when writing this article. Now, before we dive right into it, I want to invite to you leave a comment in the comment section with your thoughts and/or opinions on this game and/or the content of this article.

Risk of Staleness

In this game, we play as an unnamed miner who is throwing into the deep end, when his digger broke. You arrive at a mysterious valley. In this valley, a hardy explorer once did his research. But why? Which secrets are in these valleys and the accompanying mines? That’s for our miner to figure out. Now, the story is being told by various comic book pages you can uncover and, according to the Steam store page, has multiple endings. I’m quite curious where it’s going to go.

So far, I haven’t gotten too deep into the story. But, from what I can read on the Steam store page, I think it has potential. I have my doubts on how the multiple endings will work. Since comic books mostly have one ending, right? Unless, it all depends on which page(s) you find or in which order or where. That’s something I’ll discover when I’m deeper into the game.

If this game is like the original game, the story overall will take a backseat for the gameplay. And after 5 hours in, that’s the case. The original game didn’t have a lot of story to begin with, but more story in a game like this can be interesting.

There is one voice actor in this game. He does a pretty fine job and brings some life to the atmosphere. I replayed a bit of the first game and I have to be honest, I appreciate the small voice lines during the exploration. Even when you quickly hear every different line, it’s a nice break since they aren’t spammed and don’t appear that often.

One of the biggest changes in this game is that the cave this time around is randomly generated each time you enter. So, this game becomes a rouge like to a degree. But, you can always exit via the lifts to safety. Since, dying in the caves means that at least half of your obtained loot is dropped. The atmosphere this time around is very cohesive. This game presents itself as a sci-fi western game, and it really feels like that. Something I really like in this game is that it doesn’t go overboard in the sci-fi genre and stays grounded. The technology could realistically exist today, apart from the unique enemies in the cave, that is.

With the story taking more of a backseat, it’s quite important that the gameplay loop is enjoyable. The gameplay loop is simple, you have to explore the caves with 4 chosen tools. The three slots above the entrance give you a hint on which tools you will need to bring to gather the most loot. You take the lift down and gather loot, while fighting enemies and avoiding pitfalls to survive. The goal is also to find the other elevator that takes you down to the next level to gather even more valuable ores to bring to the top. You have to fill in the ores you gathered into the grinder to buy upgrades to your tools and environment to progress.

The big risk with this kind of gameplay loop is that this is just a different numbers game. What I mean by that is that, apart from maybe the visuals changing, the core concept is always the same. This risks that the game becomes stale and repetitive. It’s possible that it is just a “me thing”, but I enjoy games like this more when there are some variations on the gameplay or some different puzzles. Thankfully, this game has that. There are a lot of things you can upgrade and improve to make each run feel rewarding, and each type of cave you can visit has different enemies types and unique lay-outs to keep you on your toes. In a way, I dare to compare the idea a bit to Cult of the Lamb in a degree.

The music in this game is also a blast. It fits the atmosphere of each area like a glove. My favorite track is the track that plays in the lake caves. It sounds like you image a typical track like that to sound. And it gets more intense while you are fighting enemies down there. Now, the silent moments when the music doesn’t play feel a bit long, but I always know that there is more music coming and that it fits the atmosphere perfectly and draws me more into the game. Sadly enough, this isn’t the only problem with this game, and I’d like to talk about them.

No feedback

This game has an addictive gameplay loop, and I’m really curious how the multiplayer works. I haven’t tested the multiplayer in this game, but it looks like fun. Now, this game can be played solo perfectly fine.

Now, I don’t know if VRKiwi took the VR version as a base for the non VR version, since I have the impression, that is the case. I especially notice that with the controls in this game. It feels a bit floaty, like you aren’t really connected to the ground. It also feels a bit stiff, like you have to move your mouse like you would a VR headset. You really have to play with the settings until you hit that sweetspot that feels right for you. For me, I had to lower the sensitivity to 80, amongst other things. I highly recommend that you tweak the settings to your liking, since on the Nintendo Switch version, I had to lower the sensitivity to 40 before it felt right.

Still, the character control doesn’t feel right. At first, I thought it was because the controls felt floaty… But, after some testing, I think I found a few other problems with the character control that might cause it to not feel quite right. First, the jump in this game is just silly. You can’t really rely on it, since it doesn’t always trigger when you hit the spacebar, and it’s just a pathetic jump. You can’t even jump out of ankle high water sometimes.

Secondly, there are no sound effects for walking on most floors. You feel like you are floating, and it’s jarring when you suddenly hear a sound effect when you walk over a table or a railway. Thirdly, climbing on ropes amongst other things is just insanely picky. There is also no real feedback or sound to show you grabbed the rope. Fourthly, the scroll order between tools is extremely weird. You get numbers on the wheel counter clock wise. But you go down, right, left, up. Which still confuses me after 6 hours of playing this game.

And finally, some things are extremely picky. For example, there are safe riddles you can solve down in the caves. But to rotate the letter wheels to make pick the right letter is more difficult to do. All of these things give you a feeling that you aren’t always in control of your character and that you don’t get the feedback as a player on what’s happening. Making you unsure what’s happening and doubt if you are doing the right thing.

Prompts like “Use W/S to use the crank” should be “Hold W/S to use the crank”. Since, you need to hold the key instead of pressing it. Small things like that could also improve this game and it’s controls quite a lot. Overall, the controls are good, but they lack feedback to the player sometimes. Either with sound effects or with some visual effects. Like with the hammer, you barely have any sound effects when you use it, and it has some wind up animation, making you unsure if you are using it or not.

That is one of the biggest flaws in this game. The lack of feedback on your actions. Things like not knowing how many bullets are still left in your revolver or a sound effect when you hit an actual enemy. I think if there is one thing I’d use the built-in feedback tool is to report various cases/moments when I expect feedback from the game, like a sound effect or visual effect. Maybe they appear in the form of rumble effects… But, I’m not playing this game with a controller.

When you read this section of the article, I wouldn’t blame you if you think that this game isn’t good. Small bugs like the text of “Press R to reload” when your gun isn’t equipped or the bullets not leaving from the gun but from the player model don’t improve things either. Yet, I find myself looking past these problems since the core gameplay still works. I find myself getting used to the jank in this game and finding a very rough diamond. If the developers keep up with their promise of improving this game, I think that more action feedback will bring a lot to the game and maybe fixing the small bugs like in this paragraph as well.

Things like the animation of the shovel looking weird sometimes. The animation looks like the arms go through each other after a dig. Speaking of the shovel, the last dig is annoying since you have to move a pixel or two for it to count and give you your goodies. But the bug I’d love to see fixed most is the freeze for several seconds when you pick up something new or get a new codec entry. The game locks up like it’s about the crash, but it doesn’t.

What’s next for us?

Usually, I’m not really picky when it comes to the visuals of a game. As long as a game looks consistent, I’m quite happy. It needs to have a certain style so that you can quickly identify what’s what and enjoy the game.

Yet, for this game, I do have some things that I not really like in terms of the visuals. Firstly, the contrast of some ores and the floor isn’t clear enough. Sometimes I was passing up on ores since I wasn’t able to notice them on the ground.

There are also a lot of objects to give more details to the cave, but you can barely interact with them. I’d love to see lilly pads in lakes to move a bit when you walk past them or something more than just being able to clip through them. As well, a sound effect when you hit a wall you can’t mine. You get shouted at when you use the wrong or a too weak tool on something, so when not for the rest?

I think the biggest mistake that the visuals make is that it has an identity crisis. What I mean by that is that it isn’t a cohesive style. There is a lot of shell shading going on, but there is also a lot of details that give off a more realistic vibe. Some textures aren’t detailed enough and strechted too wide giving wrong impression the rest of the visuals that look more modern. The floor textures sometimes suffer most from this issue.

Looking back at this article, I think I’m being very critical for this game. I have played a lot worse and broken games for 15€. But, in this game you even have customisation options for your character and thee developers are extremely open for feedback. This game has a lot going for it. Fun achievements to hunt for, bosses at the end of runs and an amazing auto save system.

Apart from improving the character controls and adding some feedback on actions, I think this game is pretty decent. Yes, there is some polish missing like not having a tooltip with the lever at the cave entrance on what that lever does. I personally feel less conflicted about this game compared to the original. The growth in this title is immense and brings me a lot of hope for either some amazing updates, DLC or a new entry in the series.

The basis of for an amazing title is here and if you look past it’s short comings, this game is a blast to play. Maybe it’s a bit too repetitive for some and can be more fun in short bursts. But, when this game sinks it’s hooks into you, it really clicks. There is some polishing left to do and for a rather new VR focused developer, this is amazing. It’s their second non VR game and it shows a lot of promise.

The game is a perfect relaxing game to wind down, since it isn’t too difficult. The game is rather forgiving. I wouldn’t be surprised that I play this game after work to wind down and try and finish it slowly. Then again, while I’m writing this, I have summer holidays and I wouldn’t be surprised that I finish most of this game during my summer break.

Like I said earlier, I feel less conflicted about this game compared to the previous title. This game has a lot more going for it compared to the original. It’s less repetitive and it has a lot more going for it. It has it’s problems, yes. But, if you enjoy games like Minecraft, Steamworld Dig or Cave Digger, give the demo of this game a chance. The demo gives a very good idea on what you can expect from this game and if you enjoy it, buy the game. I’m enjoying myself quite a lot with this game and I’m happy that I have chosen the PC version over the Switch version since I feel like it just plays better. But maybe, if I get used to the Switch controls, I might enjoy it on Switch as well.

With that said, I have said everything I wanted to say about this game for now. Maybe when I finish this game, I might write a full review with the final thoughts and opinions on this game. But for now, I think the best conclusion for this game is that it’s an amazing step up from the original and besides some unpolished things… It’s a great game and comes recommend from me.

So, it’s time to wrap up this article with my usual outro. I hope you enjoyed reading it as much as I enjoyed writing it. I hope to be able to welcome you in another article, but until then have a great rest of your day and take care.

QAnon, the mainstream wing of the Republican Party, has opened an investigation into whether Kyle Rittenhouse is a transgender secret agent after he wavered for a few hours in his undying support for Donald Trump.

Rittenhouse, who became the poster child for the GOP after he traveled from Illinois to Wisconsin when he was 17 and shot two people to death and injured a third, posted on Xitter last week, "If you cannot be completely un-compromisable on the Second Amendment, I will not vote for you. — Read the rest

The post QAnon declares Rittenhouse to be part of a "secretive transgender psy-op aimed at harming the MAGA movement" appeared first on Boing Boing.

Getting the Master Sword in The Legend of Zelda: Tears of the Kingdom feels great. After dozens of hours of dealing with ugly fused weapons and broken gear, you finally get the sword of legend. But it’s still far from perfect. While it can’t break, it can lose its power and have to recharge. The Master Sword from the…

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Who needs another Nintendo Direct when the company is willing to randomly dish on its next Zelda game with an unexpected five-minute trailer? The latest info dump for The Legend of Zelda: Echoes of Wisdom gives a tour of the Hyrule players will get to explore in the series’ latest top-down sequel for Switch, and it…

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This week has been especially chaotic for the Middle East. On Saturday, a Lebanese rocket killed 12 children and youth at a soccer game in the Israeli-controlled Golan Heights. (The victims were Syrian citizens with Israeli residency.) On Tuesday night, Israel took revenge for the rocket by killing Fuad Shukr, a commander in the pro-Iranian militia Hezbollah, along with two children.

A few hours later, a bomb killed Ismail Haniyeh, the head of Hamas' political bureau and the lead negotiator with Israel, while he was visiting Tehran for the Iranian president's inauguration. Israel is widely believed to be the culprit. Iran's Supreme Leader Ali Khamenei and Hezbollah leader Hassan Nasrallah have both promised to take revenge.

The same night that Shukr and Haniyeh were killed, U.S. warplanes rained down fire on an Iraqi militia base, killing four pro-Iranian fighters. An anonymous U.S. official told reporters that the militiamen were launching an attack drone that "posed a threat" to U.S. and allied forces. It was not clear whether the Iraqi drone was really aimed at U.S. troops—or Israel.

Soon it may not matter. The Biden administration affirmed again on Wednesday that it will help defend Israel in case of a conflict with Lebanon or Iran, as it did during clashes this April. And the administration has hinted before that it will get involved directly if Israel faces military setbacks in Lebanon. Israeli leaders may have been betting on exactly that outcome.

Unnamed "sources in the security establishment" told The Jerusalem Post that they could have assassinated Haniyeh in Qatar, where he usually lives. Instead, those sources explained, "the choice to carry out the assassination in the heart of Tehran was precisely because Haniyeh was under Iranian security responsibility, which placed Iran at the heart of the world's focus as a host, director, and supplier of terrorism."

In other words, killing Haniyeh was possibly meant to turn the Israel-Hamas war into an international crisis involving Iran and Israel's allies.

Months before the October 2023 attacks, Israeli policy makers had gamed out an Israeli strike leading to a U.S.-Iranian war. The Institute for National Security Studies, a think tank close to the Israeli government, ran a simulation in July 2023 that was eerily similar to the current escalation. The scenario began with an Israeli assassination campaign in Tehran, which provoked Hezbollah and Iraqi militias into attacking Israel and ended with direct U.S. attacks on Iran.

"Former top political and military leaders from Israel, the United States and a number of European countries took part in the simulation," reported the Israeli newspaper Haaretz.

For years before that, Israeli Prime Minister Benjamin Netanyahu and other Israeli leaders had been demanding U.S. support for an attack on Iran's nuclear facilities. It's not hard to understand why. Khamenei has called Israel a cancerous tumor that needs to be excised, and Israeli leaders have in turn said that Iran is the head of an evil octopus, which must be cut off.

The attacks on October 7, 2023, by Hamas seemed to confirm the Israeli perception. Whatever role Iran did or didn't have in planning the attacks—the U.S. government believes that Iranian leaders were just as surprised as everyone else—Iran's allies immediately jumped into the fray, attacking Israel in the name of the Palestinian cause.

And plenty of American politicians want conflict for their own reasons. Immediately after the October 7 attacks, Sen. Lindsey Graham (R–S.C.) had called for bombing Iran whether or not there was evidence that Iran was behind the attacks. On Wednesday, he claimed to have intelligence that "Iran will, in the coming weeks or months, possess a nuclear weapon" and introduced a bill calling for war with Iran.

A conflict with Iran also helps Netanyahu alleviate some of the domestic political pressure on him. Before the October 7 attacks, he was facing protests over his proposal to defang the Israeli Supreme Court. And instead of rallying Israelis around Netanyahu, the attacks galvanized opposition, as many Israelis blamed Netanyahu for the security lapse and the failure to rescue hostages.

This week, those tensions exploded into an outright mutiny. After months of international pressure regarding the treatment of inmates at the Sde Teiman prison, Israeli military police began a probe into one of the most egregious cases. Nine soldiers had allegedly raped a Palestinian prisoner so hard that he was sent to the hospital with a ruptured bowel, a severe injury to his anus, lung damage, and broken ribs.

Police detained some of the accused soldiers, and Israeli nationalists accused the government of betraying its troops. Nationalist rioters, including members of parliament, stormed both Sde Teiman and the Beit Lid military courts in support of the accused rapists. The army was forced to pull three battalions away from the Palestinian territories to guard the courthouse.

Killing Shukr and Haniyeh, then, was a good political bet for Netanyahu. At the very least, Netanyahu got to drown out headlines about the Sde Teiman riot with a dashing military victory. And if Iran hits back hard enough, then Israel may be able to get the world's superpower to fight Israel's greatest enemy.

But a full-on U.S.-Iran war would be a disaster for the region and for Americans. Gen. Kenneth McKenzie warned The New Yorker in December 2021 that Iran has missile "overmatch in the theatre—the ability to overwhelm" U.S. air defenses. American troops would face attacks in Iran, Iraq, and Syria, and a few well-placed Iranian strikes on Tel Aviv or Abu Dhabi could do serious damage to the world economy.

It would be a disaster of the Biden administration's own making. Soon after the October 7 attacks, President Joe Biden embraced the "bear hug" theory of diplomacy. By giving Israel public reassurances and unlimited military support, the theory went, Biden would earn enough goodwill from Israelis to keep their war contained and eventually broker an Israeli-Palestinian ceasefire.

Instead, the bear hug has turned out to be a sleepwalk. Netanyahu has taken U.S. support as a license to continue expanding the conflict. And the Biden administration seems to be at a loss for words about the latest escalation. Asked what impact the assassination of one side's chief negotiator would have on ceasefire negotiations, Secretary of State Antony Blinken played dumb.

"Well, I've seen the reports, and what I can tell you is this: First, this is something we were not aware of or involved in," Blinken told Channel News Asia. "It's very hard to speculate, and I've learned never to speculate, on the impact one event may have on something else. So I can't tell you what this means."

The post Will Biden Sleepwalk Into a War With Iran? appeared first on Reason.com.

Ever since Nintendo confirmed that The Legend of Zelda has an official, branching timeline, fans have been curious about precisely when every new game in Nintendo’s beloved action-adventure franchise takes place. That includes the newly announced The Legend of Zelda: Echoes of Wisdom. While nothing’s confirmed yet,…

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Street Fighter 6 is done with its first wave of DLC fighters after Akuma. Now, it’s starting its second wave, and there are some major players about to join the roster. Capcom revealed the next four fighters coming to the game during their Summer Game Fest presentation, and M. Bison, the long-time antagonist of the…

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Announced today during Summer Game Fest’s kick-off event, Lego Horizon Adventures combines the colorful bricks of Lego with the robot dinosaurs and open-world action of Horizon. It’s an odd combo but looks cool. And wildly, its coming to Switch as well as PS5 and PC later this year.

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In this week's The Reason Roundtable, editors Matt Welch, Katherine Mangu-Ward, Nick Gillespie, and Peter Suderman scrutinize President Joe Biden's executive order updating asylum restrictions at the U.S.-Mexico border in response to illegal border crossings.

01:32—Biden's new asylum restrictions

21:38—The prosecution of political opponents: former President Donald Trump, Hunter Biden, and Steve Bannon

33:25—Weekly Listener Question

39:56—No one is reading The Washington Post

48:09—This week's cultural recommendations

Mentioned in this podcast:

"Biden Announces Sweeping Asylum Restrictions at U.S.-Mexico Border" by Fiona Harrigan

"Biden's New Asylum Policy is Both Harmful and Illegal" by Ilya Somin

"Travel Ban, Redux" by Josh Blackman

"Immigration Fueled America's Stunning Cricket Upset Over Pakistan" by Eric Boehm

"Libertarian Candidate Chase Oliver Wants To Bring Back 'Ellis Island Style' Immigration Processing" by Fiona Harrigan

"Donald Trump and Hunter Biden Face the Illogical Consequences of an Arbitrary Gun Law" by Jacob Sullum

"Hunter Biden's Trial Highlights a Widely Flouted, Haphazardly Enforced, and Constitutionally Dubious Gun Law" by Jacob Sullum

"Hunter Biden's Multiplying Charges Exemplify a Profound Threat to Trial by Jury" by Jacob Sullum

"The Conviction Effect" by Liz Wolfe

"Laurence Tribe Bizarrely Claims Trump Won the 2016 Election by Falsifying Business Records in 2017" by Jacob Sullum

"A Jumble of Legal Theories Failed To Give Trump 'Fair Notice' of the New York Charges Against Him" by Jacob Sullum

"Does Donald Trump's Conviction in New York Make Us Banana Republicans?" by J.D. Tuccille

"The Myth of the Federal Private Nondelegation Doctrine, Part 1" by Sasha Volokh

"Federal Court Condemns Congress for Giving Unconstitutional Regulatory Powers to Amtrak" by Damon Root

"Make Amtrak Safer and Privatize It" by Ira Stoll

"Biden Threatens To Veto GOP Spending Bill That Would 'Cut' Amtrak Funding to Double Pre-Pandemic Levels" by Christian Britschgi

"This Company Is Running a High-Speed Train in Florida—Without Subsidies" by Natalie Dowzicky

"Do Not Under Any Circumstances Nationalize Greyhound" by Christian Britschgi

"With Ride or Die, the Bad Boys Movies Become Referendums on Masculinity" by Peter Suderman

"D.C. Water Spent Nearly $4,000 On Its Wendy the Water Drop Mascot" by Christian Britschgi

Upcoming Reason Events:

Reason Speakeasy: Corey DeAngelis on June 11 in New York City

Send your questions to [email protected]. Be sure to include your social media handle and the correct pronunciation of your name.

Today's sponsor:

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Audio production by Justin Zuckerman and John Carter

Assistant production by Luke Allen and Hunt Beaty

Music: "Angeline" by The Brothers Steve

• Producer: Hunt Beaty
• Video Editor: César Báez

The post Partisan Border Wars appeared first on Reason.com.

Visual Arts and Prototype announced that they will release the classic PC visual novel Kanon on Steam. The Japanese companies have also published a Steam page for the title.

The visual novel will be available with Japanese voiceovers and subtitles in Japanese, English, and Simplified Chinese. The Steam version will feature HD-remastered visuals with an almost complete voiceover. Most of the title's original voice actresses, such as Yui Horie (as Ayu Tsukimiya) and Yukari Tamura (as Mai Kawasumi), will reprise their roles. Meanwhile, Tomokazu Sugita will provide partial voiceovers for the player-controlled protagonist Yuichi Aizawa.

The Steam release does not mean it's the first time Kanon appears on PC. In fact, PC was the very first platform the visual novel appeared on, since the times when physical disc drives were still commonplace. Visual Arts first released Kanon as an R-18 title in June 1999. It then released the all-ages version for PC in January 2020, which also serves as a basis for all ports to other platforms.

Outside of PC, the visual novel was also released for the Dreamcast, PlayStation 2, and PlayStation Portable. It has also since been made available for Android and iOS mobile devices in Japan. In April 2023, Prototype released the Nintendo Switch port of Kanon.

The visual novel Kanon is readily available on Nintendo Switch, Android, and iOS as ongoing platforms, and it will also be available on the PC via Steam in the near future.

The post Classic Visual Novel Kanon Will Appear on Steam appeared first on Siliconera.

There's a distinct whiff of hedgehog over in the world of mobile gaming today; not only has Sega just unveiled the Fall Guys-like Sonic Rumble, the very excellent Sonic Mania Plus is now available on iOS and Android via a Netflix subscription.

Starting with Sonic Rumble, it's being developed in conjunction with Angry Birds studio Rovio and promises "32-player battle royale challenges" that'll see competitors thundering across elaborate toybox-themed, Fall Guys-esque obstacle courses in a bid to collect the most rings.

It'll feature "iconic characters from the Sonic the Hedgehog universe" - albeit presented in toy form - which players can customise to create their own unique avatars. If that appeals, Sonic Rumble will be available for iOS and Android this "winter" - and a (currently US-only, unfortunately) closed beta test is set to run from 24th-26th May if you fancy signing up.

Read more

There's a distinct whiff of hedgehog over in the world of mobile gaming today; not only has Sega just unveiled the Fall Guys-like Sonic Rumble, the very excellent Sonic Mania Plus is now available on iOS and Android via a Netflix subscription.

Starting with Sonic Rumble, it's being developed in conjunction with Angry Birds studio Rovio and promises "32-player battle royale challenges" that'll see competitors thundering across elaborate toybox-themed, Fall Guys-esque obstacle courses in a bid to collect the most rings.

It'll feature "iconic characters from the Sonic the Hedgehog universe" - albeit presented in toy form - which players can customise to create their own unique avatars. If that appeals, Sonic Rumble will be available for iOS and Android this "winter" - and a (currently US-only, unfortunately) closed beta test is set to run from 24th-26th May if you fancy signing up.

Read more

Looks like Steve Bannon could finally be headed to prison. A federal appeals court in Washington D.C. upheld his contempt of Congress conviction today for defying subpoenas by the Jan 6th committee. From Meidas Touch Network:

The United States Circuit Court for the District of Columbia has officially rejected Steve Bannon's appeal of his contempt of Congress convictions for his failure to comply with lawful subpoenas issued by the January 6th Committee.

— Read the rest

The post Hello prison! Steve Bannon loses after federal appeals court upholds his conviction appeared first on Boing Boing.

There's a distinct whiff of hedgehog over in the world of mobile gaming today; not only has Sega just unveiled the Fall Guys-like Sonic Rumble, the very excellent Sonic Mania Plus is now available on iOS and Android via a Netflix subscription.

Starting with Sonic Rumble, it's being developed in conjunction with Angry Birds studio Rovio and promises "32-player battle royale challenges" that'll see competitors thundering across elaborate toybox-themed, Fall Guys-esque obstacle courses in a bid to collect the most rings.

It'll feature "iconic characters from the Sonic the Hedgehog universe" - albeit presented in toy form - which players can customise to create their own unique avatars. If that appeals, Sonic Rumble will be available for iOS and Android this "winter" - and a (currently US-only, unfortunately) closed beta test is set to run from 24th-26th May if you fancy signing up.

Read more

Looks like Steve Bannon could finally be headed to prison. A federal appeals court in Washington D.C. upheld his contempt of Congress conviction today for defying subpoenas by the Jan 6th committee. From Meidas Touch Network:

The United States Circuit Court for the District of Columbia has officially rejected Steve Bannon's appeal of his contempt of Congress convictions for his failure to comply with lawful subpoenas issued by the January 6th Committee.

— Read the rest

The post Hello prison! Steve Bannon loses after federal appeals court upholds his conviction appeared first on Boing Boing.

Russia's state TV rushed to praise Comrade Marjorie for doing Putin's dirty work on the home front, following her latest threat to block Ukraine aid.

One host gushed that the QAnon Queen "is one of a few members of Congress who is trying to look like a person in an old-fashioned sense of the word. — Read the rest

The post Kremlin crony drools over Marjorie Taylor Greene's fashion sense and heterosexuality appeared first on Boing Boing.

Square Enix’s epic RPG Final Fantasy VII Rebirth isn’t short on activities to do outside of its main story. Each region is home to a number of side-quests you’ll come across by talking to NPCs and checking each town’s job board. But which ones should you play?

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2024's most anticipated game is finally here, and the further adventures of Cloud Strife and his besties has launched on PS5. Final Fantasy VII Rebirthexpands and enhances the middle section of the 1997 classic, and there’s a big, beautiful world to see. If you’re looking to spend a few dozen hours in Square Enix’s…

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The PlayStation Portal has been out of stock virtually everywhere else as of late, electronics retailer Best Buy recently had PS Portals in stock. They’re now sold out again online, but it might be worth checking your local stores just in case.

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If you’re a content creator or YouTuber, camera companies increasingly want your business. Last year was no exception, with several new vlogging-specific models released by Canon, Sony, DJI and others. That means there are now over a dozen on sale, alongside regular mirrorless cameras that also do the job well.

Models specifically designed for vlogging include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 or Canon’s compact PowerShot V10. Others, like the new Panasonic G9 II and last year’s Canon EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.

All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.

Factors to consider before buying a vlogging camera

Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It must be good for filming yourself as well as other “B-roll” footage that helps tell your story. The biggest requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.

Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some (notably Canon and Sony) do it better than others.

If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of its limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.

4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.

Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts and so on, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when it’s time to edit the footage.

Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.

You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.

The best action and portable cameras

If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.

The best compact vlogging cameras

Compact cameras are a step up from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, they’re the best option.

The best mirrorless/DSLR vlogging cameras

This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, more complexity and higher prices.

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If you’re a content creator or YouTuber, camera companies increasingly want your business. Last year was no exception, with several new vlogging-specific models released by Canon, Sony, DJI and others. That means there are now over a dozen on sale, alongside regular mirrorless cameras that also do the job well.

Models specifically designed for vlogging include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 or Canon’s compact PowerShot V10. Others, like the new Panasonic G9 II and last year’s Canon EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.

All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.

Factors to consider before buying a vlogging camera

Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It must be good for filming yourself as well as other “B-roll” footage that helps tell your story. The biggest requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.

Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some (notably Canon and Sony) do it better than others.

If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of its limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.

4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.

Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts and so on, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when it’s time to edit the footage.

Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.

You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.

The best action and portable cameras

If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.

The best compact vlogging cameras

Compact cameras are a step up from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, they’re the best option.

The best mirrorless/DSLR vlogging cameras

This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, more complexity and higher prices.