Boy am I glad to see Styx again. Not because I felt any great yearning to return to the murky, Temu-Warhammer dark fantasy setting of long-forgotten RPG Of Orcs and Men, you understand. But because Blades of Greed represents an ever dwindling chunk of ore from that once rich seam of B-tier games that are just bloody good at what they do. The zenith of the "shorter games with worse graphics" category that people on Bluesky claim to want (and rarely seem to actively seek out, alas).

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Clair Obscur: Expedition 33 secured five awards at this week's Academy of Interactive Arts & Sciences' (AIAS) DICE Awards (not to be confused with EA's Stockholm studio of the same name), including the coveted Game of the Year prize, while Sucker Punch's Ghost of Yotei secured three, including for Adventure Game of the Year.

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Troy Baker, one of the most well known actors working in video games, believes generative AI could have a positive effect overall on performing arts. Baker thinks it'll cause a reaction whereby people will seek out "authentic" experiences more - live shows, live theatre - and turn away from "gruel that gets distilled to me through a black mirror".

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43.8 million player votes later, the winners of the 2025 Steam Awards have been announced, with Hollow Knight: Silksong securing top prize, Game of the Year.

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2025 has gone by in a flash, hasn't it? Well, apart from the days I've spent tabulating all your Game of the Year votes and presenting the results here - that has felt like an eternity and I think has given me permanent neck pain. But, let's not worry about that. I'm sure you'll agree it was worth the sacrifice.

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Styx: Blades of Greed - the next entry in Cyanide Studio's infiltration series, which plops players into the shoes of a caustic goblin - will now release next year.

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