Five of the Best is a weekly series for supporters of Eurogamer. It's a series that highlights some of the features in games that are often overlooked. It's also about having your say, so don't be shy, use the comments below and join in!

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Which was the first game to have a dash move in it? The earliest I can think of is the Mega Man series. But was that a slide or a dash? Because although they serve similar functions, I think they're distinct things. It's tricky! Today of course, dashes are synonymous with action games, and even other kinds of games, and it's probably more common to play games with them than without them. Dashes have become a fundamental part of our gaming lexicon. But the question is, which dashes have been the most memorable - which dashes are the best?

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Remedy has shared an update on a number of its upcoming projects, including its Control multiplayer game and the Max Payne 1 & 2 remakes.

In a recent report, the studio said its forthcoming co-op multiplayer game set in the Control universe had entered full production. This means Codename Condor, as it is currently known, has "reached the final development stages before the game is launched".

The developer said internal playtests for the upcoming release have shown its game has "a unique Remedy angle" for the genre, with a core loop it described as "engaging".

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Hurtling along on top of a train full of goons in Phantom Fury you will see another rushing train pulling up at matching speed, inviting you to hop from one to the other. A helicopter will soon join the fray. Many things will soon explode, and you will take a short break from the minigunning to calmly physics some boxes into a set of steps with a crane. This FPS is not so much writing a love letter to a bygone era of noughties shooters, as it is standing underneath the window of its respected elders earnestly serenading them with a busted old keytar from the attic. There are bum notes and the singing voice is not exactly boy-band beautiful, but the love is unmistakably there. And, hey, singing is hard.

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Like a demon summoned by fresh blood on its altar, Wrath: Aeon of Ruin first arose at the height of the retro-shooter revival. Developed in a modified Quake engine with levels designed by contributors to mods like Arcane Dimensions, it looked set to conquer all in its path when it arrived in 2019. Its Early Access showcased amazing weapons, splattering enemies, a knotty, secret-filled hubworld, and maps you'd sell your soul for.

Then it went back to sleep for five years. In 2021, developer KillPixel admitted the project had been sorely hindered by the Covid 19 pandemic. But the full game would be out in Summer 2022. That became Spring 2023, which then became February 2024. In that time the retro shooter continued to evolve, giving us its Doom (Prodeus), its Duke Nukem (Ion Fury) and its Hexen (AMID EVIL). All the while Wrath's presence faded, looking less like a spiritual successor to Quake, and more like a rerun of Daikatana.

Now though, Wrath is finished, and unlike John Romero's white elephant, you can see why it took so long. This isn't so much a first-person shooter as it is an ode to 3D level design, a dimension-hopping adventure of colossal scale and variety that bends the Quake engine into frankly obscene positions. Sadly, this is as much a criticism as it is a compliment, for in its strive to provide the grandest shooting galleries in existence, the shooting itself gets a little lost along the way.

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I've had to look up.... goddamn it, hang on. I've had to look up Wrath Colon Aeon Of Ruin every day to remember its utter nothing of a name. Such a weak title deserves a much worse game, but this captures the feeling of its late 90s FPS influences as they actually were, and ends up just familiar enough to work, and just original enough to refresh the formula. At times, it's a little too accurate, but even with its annoyances dialled up by the pressure of playing it too hard for the sake of review, I'm impressed with the balancing act it's struck.

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I'm not sure exactly what I was expecting from Graven, but it still feels like it wasn't quite what I expected. That's both good and bad. It has the look of a 90s throwback FPS, the cool atmosphere and action RPG (barely RPG, really, restricted to which weapons you upgrade) combat of something from the 2000s like Rune or Dark Messiah, with a hint of a modern immersive sim. There is, I think, a better game to be made with those parts in a different arrangement. This one is only kinda good.

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