The biggest day of the tech world’s fall calendar is nearly here: Apple’s iPhone 16 event will take place sometime in September. The company typically does it on a Tuesday during the first half of the month, so September 10 is a safe bet. No matter when it happens, we'll be live-blogging the news, and you can watch it live via the company’s website or on YouTube. The biggest news from the event will almost definitely involve the forthcoming lineup of iPhone 16 handsets. Past as prologue, we’ll also get a new Apple Watch or two.

Beyond that, rumors have been swirling about a refresh of the standard AirPod earbuds. Until Tim Cook takes the (virtual) stage, however, everything is pure speculation. With that said, let’s get into the most likely leaks and rumors ahead of the event.

iPhone 16 and iPhone 16 Pro

No matter what else happens, these new handsets will take center stage during the Apple iPhone 16 event. That’s good news for people ready for an upgrade. The bad (ish) news? The vast majority of leaks and rumors indicate that this will be another year of iterative improvements, so don’t expect a game-changing new hardware feature.

Cherlynn Low / Engadget

There’s likely to be four new models announced at the event, which is similar to what Apple did last year. The new phones will allegedly be called the iPhone 16, 16 Plus, 16 Pro and 16 Pro Max, according to industry analyst Mark Gurman. This is the exact same naming convention as last year’s iPhone 15 reveal, so the rumors of Apple adopting an “iPhone Ultra” moniker seem to have been greatly exaggerated.

Even if Apple doesn't use the Ultra naming, the Pro models might be getting slightly larger screens, which is always nice (if you like big phones, that is). The regular Pro is likely to move to 6.3 inches from 6.1 inches, while the Pro Max should hit 6.9 inches, an increase from 6.7 inches. Finally, there will likely be a new color or two, as always. Bloomberg’s Gurman suggests that Apple is ready to ditch the blue model in favor of the return of rose gold.

On the hardware side of things, look for a new chipset that takes advantage of the company’s recent push toward AI, also known as Apple Intelligence. Beyond that, the upgraded A18 chip will be an iterative improvement, specs-wise. As is typical, the Pro and Pro Max will likely get a more powerful chip than the standard models. It looks like the base amount of RAM here will be 8GB, so as to handle those aforementioned AI tasks.

It’s also been rumored that the standard iPhone 16 and iPhone 16 Plus will get the Action Button, a feature introduced last year for the iPhone 15 Pro and Pro Max. This multi-purpose button is a direct replacement for the mute switch, by default, but can be adjusted to control a bunch of different things. The Action Button can be used to to change ringer settings, turn on the flashlight, launch the camera and more.

Cherlynn Low/Engadget

There’s also talk of another new button, this one on the right side of the phone. This will control camera features, operating like a button on a DSLR. Reporting indicates that a soft press will trigger autofocus and a harder press will take a photo. Consumers may also be able to swipe along the button to zoom in and out while shooting photos or taking videos. It’s been reported that this camera button will only come with the Pro and Pro Max, which makes sense since the high-end models typically offer a more robust camera experience.

To that end, new iPhones always get a camera spec bump, but we don’t know exactly what that will look like this time. It’s been reported, however, that the iPhone 16’s camera module could be getting a design refresh. Apple might be ditching the square and going with a vertical orientation. This might only apply to the base iPhone 16 and maybe the Plus, as the Pro and Pro Max phones tend to place a much higher emphasis on photos and videos.

Apple

We already know what’s coming on the software side of things, thanks to the recent WWDC event. Based on previous years, iOS 18 should be available within the week following the event. The software update features a more customizable Control Center and Home Screen. It'll also finally bring RCS support to iPhones.

As for Apple Intelligence, you’ll have to wait a bit. It was announced as part of iOS 18, but it’s been delayed until iOS 18.1. This isn’t a huge deal, as that OS refresh is expected in October, but does mean that early adopters of the iPhone 16 won’t be able to fool around with AI right away.

Apple Watch Series 10 and Apple Watch Ultra 3

Ever since 2016, iPhone events have also included a deep dive on the latest Apple Watch. This year looks to be no different. As a matter of fact, this is a big year for the Apple Watch. We are coming up on the gadget’s tenth birthday, so there are conflicting rumors as to whether the next entry will be called the Apple Watch Series 10 or the Series X.

No matter what it ends up being called, Apple’s next standard smartwatch is reported to have a bigger screen that’s more in line with the Ultra. It’s expected that the company will ditch the 41mm form factor and introduce a 49mm design.

Rumors have also suggested that Apple has completely redesigned the band system and added new connectors. This will likely make these straps easier to adjust, but there’s a downside. This move could make it so all of those old bands no longer work.

Cherlynn Low / Engadget

Of course, there’s going to be a new chip to power these watches, but we don’t have any specifics. It’s been suggested that these chips have been designed to accommodate Apple’s recent foray into AI, but that integration is likely to happen later on. For now, Apple Intelligence will be tethered to iPhone, iPad and Mac.

There are likely to be two watches revealed at the event, which are codenamed N217 and N218. It’s possible one of these will be the Apple Watch Ultra 3, though Mark Gurman at Bloomberg says the high-end smartwatch won’t get a major redesign this time out. It’ll likely be an iterative refresh.

On the software front, it looks like Apple has run into some snags while developing long-anticipated health tracking tools. Health monitoring is one of the key features of the Apple Watch, so the company has been working on new sensors to detect high blood pressure and sleep apnea. However, the tech will likely not be ready for this year’s smartwatch. Apple’s also been developing a glucose sensor for almost a decade so, who knows, maybe it’ll finally show up with the Series X.

Finally, it’s highly possible that Apple announces a new version of the budget-friendly Watch SE. This was last updated in 2022, so a refresh is overdue. There has been some reporting that Apple will be swapping out the aluminum exterior with a rigid plastic shell. This should help get costs down even further. As it stands, the Apple Watch SE is $250, but Samsung’s cheapest wearable is the $200 Galaxy Watch FE. Apple may want to compete closer to that price range. 

AirPods 4

Billy Steele/Engadget

It’s been reported that Apple’s prepping two new variants of its standard earbuds. The AirPods 4 could feature both an entry-level model and a mid-tier version, which would effectively replace AirPods 2 and AirPods 3.

The big news here is that both AirPods 4 versions are likely to transition to a USB-C case to keep pace with the iPhone and the second-gen AirPods Pro. It’s been suggested that the cheaper of the two forthcoming models would lack wireless charging, but that the mid-tier version would support this technology. This is the same strategy Apple followed with previous generations, so it makes sense.

Both versions should feature similar designs, though the mid-tier variant is likely to support active noise cancellation like the Pro model. Speaking of, there will likely be no refresh of Apple’s high-end Pro earbuds at this event. There's also some mystery surrounding the company’s over-ear headphones, AirPods Max. It’s been four whole years since these premium cans hit store shelves (and they're still stuck using a Lightning port for charging), so a refresh is long overdue.

Surprises and software 

The iPhone event doesn’t typically have a “one last thing” moment, but there’s one piece of hardware that could get a surprise shout out. It’s been rumored that Apple is preparing a massive redesign of the Mac mini. Analysts have suggested that this will be the company’s smallest ever desktop computer and could be around the same size of an Apple TV streaming box.

There will reportedly be two versions of the upcoming Mac Mini, one with the standard M4 chip and another with the more powerful M4 Pro chip. The base model is rumored to start shipping from suppliers this month, so it’s possible Apple will spend a few minutes on the computer at the iPhone event. However, don’t count on it. This is an event for iPhones and smartwatches and a miniaturized desktop could feel out of place. And, just like it did last fall, Apple could easily hold a Mac-specific event later this year.

Beyond that, a whole bunch of software updates are about to drop. There’s iOS 18, which we’ve written about extensively, and iPadOS 18. As for smartwatches, watchOS 11 is also coming out sometime this fall. Apple already detailed all three operating systems at WWDC, but the upcoming iPhone event would be a good time to announce official release dates.

It's back to school season, which means many students and/or their parents are on the lookout for a laptop on which they can get schoolwork done. Depending on your needs, though, a tablet may do the trick (but you'll likely still want a keyboard attachment for extended typing sessions). Tablets offer flexibility in terms of study and play, and it's pretty hard to go wrong with a recent iPad.

As luck would have it, the 13-inch iPad Air M2 has dropped to its lowest price since Apple released it in May. The blue and space gray models are available for $729. That's $70 off the regular price.

While it's not the most powerful iPad around — the latest iPad Pro is the first device to use Apple's M4 chips — the M2 iPad Air is a great option. It's our recommendation for the best iPad for most people and we gave it a score of 91 in our review.

The M2 iPad Air delivers a great balance of performance, features and price. The 13-inch model has a brighter screen than its 11-inch sibling, and more screen real estate to get things done on. However, the 60Hz refresh rate is not as smooth as the 120Hz OLED panel on the latest iPad Pro.

The 8GB of included RAM and 128GB of base storage should be enough for basic tasks. The iPad Air will run for up to 10 hours on a single charge too.

There are cheaper and less-powerful iPads, but you'll be futureproofed to a certain degree with this one. AI-driven Apple Intelligence features will be available on the M2 iPad Air when Apple rolls those out later this year, and you can play some modern games such as Death Stranding and the Resident Evil 4 remake on the tablet (there's always the option to stream games from the cloud or local hardware too). One other feature we appreciate about this model is that Apple finally moved the front-facing camera to the horizontal edge, which makes much more sense for FaceTime or video calls in landscape mode.

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Lucasfilm has decided not to renew The Acolyte for a second season, according to Deadline and Variety. Fans won't get to see how the show was supposed to end and won't get to know how the plotlines its creator, Leslye Headland (Russian Doll), teased at the end of the first season would unravel. Engadget Senior Editor Devindra Hardawar called The Acolyte "Star Wars at its best" in his review, discussed how unique its premise was, and drew parallels between the series and Crouching Tiger, Hidden Dragon. 

Deadline says the show had a strong start and garnered 4.8 million views in the first day it became available for streaming, reaching 11.1 million views after five days. However, viewership fell in the coming weeks, and its finale was reportedly the poorest performing finale for a Star Wars series. 

The Acolyte was a mystery-thriller story featuring a former Jedi trainee played by Amandla Stenberg, who's suspected of committing a series of crimes. Her former Jedi Master played by Lee Jung-jae (Squid Game) now has to find her to get to the bottom of things. Manny Jacinto, who played the smuggler Qimir, gained a lot of attention online due to this shirtless scenes. It was revealed in the later episodes that he plays a bigger role in the story, and viewers were even supposed to learn his real name in the next season. 

The show is still available to watch on Disney+ for those who don't mind not getting closure for its story. 

If you’re looking for an iPad that’s more affordable than cutting-edge, Amazon has the 2021 base model for only $199. Although that’s a generation behind the current version, this ninth-generation edition could be great for kids, seniors or those wanting a HomeKit-based smart home hub.

The three-year-old model is still a capable tablet for anyone content with forgoing the latest and greatest hardware. The ninth-gen iPad has a 10.2-inch Retina display and Apple’s old home button-based Touch ID sensor. It runs on the A13 Bionic chip, which has a six-core processor, quad-core GPU and octal-core Neural Engine. This isn’t the model to get if you want screaming-fast speeds, the most eye-popping display or the upcoming Apple Intelligence, but it’s hard to nitpick too much about any of that when you look at the price.

Engadget’s 2021 review found this model to be “a modest update” over the previous version. Nathan Ingraham described it as “a fast, lightweight tablet with a nice display and tons of apps, without having to spend too much.” In our battery test, we found that it outperformed Apple’s 10-hour estimate, lasting about 14 hours of video streaming.

This model runs iPadOS 17 and will support iPadOS 18 when it launches this fall. It isn’t known how many annual updates it will be eligible for after that, but the upcoming 2024 software will still run on two hardware generations behind this model, hinting that it may not be approaching the end of the line just yet.

It’s also well-suited for video chat, and its 12MP ultrawide front-facing camera supports Center Stage. Apple’s machine learning-based feature tracks your and anyone else’s faces in the shot, adjusting the call’s framing accordingly through automatic pans and zooms.

If you want to add accessories for a more laptop-like experience, the ninth-gen iPad is compatible with the first-generation Apple Pencil and Apple Smart Keyboard.

Nathan Ingraham for Engadget

It’s worth keeping in mind that this model uses a Lightning connector rather than the USB-C that Apple has shifted its product lineup toward. It includes a charger in the box, but you may want to consider that if you’ve already chucked all your old Lightning cables. On the other hand, some may consider it a bonus that it still includes Apple’s now-defunct headphone jack.

The sports streaming service Fubo has temporarily fended off a huge financial threat from Disney-Fox-Warner’s potential competitor Venu Sports and its collection of sports broadcasting licenses thanks to a recent court ruling. A federal judge in the Southern District of New York granted Fubo’s request for an injunction in its antitrust case against the joint sports streaming venture and its parent companies.

US District Judge Margaret Garnett wrote in an opinion issued earlier today such a concentrated collection of media power would eliminate consumers’ choices. The launch of Venu would also “hike prices on both consumers and other distributors” and create a “multi-year monopolistic runway” in the sports streaming sector for Disney, Fox and Warner.

“Even if the [joint venture] defendants swear that such price-hiking and competition excluding will not actually occur (though…there is good reason to believe that it will),” the opinion reads, “one purpose of antitrust injunctions is to prevent anticompetitive incentives from forming in the first place so that American consumers do not have to simply take their word for it and hope for the best.”

Garnett also wrote the injunction is needed because of “quintessential harms that money cannot adequately repair” if Fox-Disney-Warner’s Venu Sports moves forward.

Fox-Disney-Warner first announced its plans to launch a live sports streaming channel in February and later revealed the name and price for its Venu Sports streaming service. The joint sports streaming venture will cost viewers $42.99 a month with a seven-day free trial and promises 14 channels of live sporting events with access to ESPN+ and four of its spinoff channels, the Fox network and both of its Fox Sports channels and a handful of Warner Bros. owned cable networks such as TNT and TruTV, according to a press release.

Fubo filed its lawsuit a couple of weeks after Fox-Disney-Warner’s initial announcement. Fubo’s antitrust lawsuit accused the trio of media giants of staging “a years-long campaign” to weaken its sports streaming service. The suit also claimed the joint venture would concentrate too many entities in one service and would hinder competitiveness and jack up prices for viewers and distributors.

The injunction puts a temporary hold on Fox-Disney-Warner’s plans for Venu Sports. Its fate will ultimately be determined by the antitrust case in federal court.

Mark Granger, representing Qualcomm at CES 2024, introduces the Snapdragon digital chassis concept vehicle, a groundbreaking platform designed for in-vehicle infotainment. Watch all my videos from CES 2024 here. Granger suggests selling the vehicle on the market or as a development kit for interested companies. Despite its drivability, the main focus is on in-cabin experiences, showcasing a beautiful UI developed with Unreal Engine. The vehicle demonstrates generative AI capabilities, such as using AI trained on user manuals to answer questions like changing a tire. Granger emphasizes the convenience of AI understanding user queries and providing relevant information. He also showcases a digital twin feature with smooth graphics, illustrating various views and personas, including a fleet driver and a vacationer mode. Snapdragon platforms deliver leading edge AI, high-performance, low-power computing, and unrivaled connectivity across smartphones, PCs, software-defined vehicles with the Snapdragon Digital Chassis, and more. The car boasts 23 speakers for zonal audio, allowing personalized audio experiences in different areas of the vehicle. Granger mentions the collaboration with JP Morgan and Salesforce for wallet solutions and connected services, emphasizing the upgradeability of hardware performance over time. The Qualcomm Automotive module is highlighted, showcasing its seamless integration with cloud-based testing and real-time performance. Moving on, Granger discusses Qualcomm’s advancements in Advanced Driver Assistance Systems (ADAS), including partnerships with OEMs and tier-one systems. The presentation touches on the Snapdragon Automotive module’s compatibility with future generations and its role in speeding up time-to-market for customers. The Flex solution, a single unit handling both infotainment and ADAS, is showcased as a key to scalability for various vehicle types. Granger addresses Qualcomm’s journey in automotive technology, starting with telematics over 20 years ago and evolving into virtualized cockpits in 2014. He emphasizes the company’s commitment to safety and security in ADAS, utilizing the latest Snapdragon processors. The discussion shifts to level 2 and level 3 autonomy as the current focus, with the capability to support higher levels when the market demands it. The booth tour concludes with a demonstration of Qualcomm’s Flex solution, highlighting its ability to efficiently run multiple tasks concurrently. Granger also mentions the potential use of Snapdragon technology in tracking fleets of scooters or two-wheelers. He expresses gratitude to the audience and encourages those interested in development to visit the new Qualcomm Automotive website. Description by Chatgpt.

Last fall, amidst the ongoing national Adderall shortage, I decided it was time to start playing video games every day. That's because I learned about a new game called EndeavorOTC, which was in the process of gaining FDA clearance as a potential alternative treatment for ADHD. — Read the rest

The post A video game just got FDA clearance as an ADHD treatment appeared first on Boing Boing.

A project from Ireland, JellyLab X AnatomyHacks, will be on display at MF Rome this October 25-27th about DIY medical innovations.

The post JellyLab X AnatomyHacks: Seeing the Unseen appeared first on Make: DIY Projects and Ideas for Makers.

MIT faculty members Nancy Kanwisher, Robert Langer, and Sara Seager are among eight researchers worldwide to receive this year’s Kavli Prizes.

A partnership among the Norwegian Academy of Science and Letters, the Norwegian Ministry of Education and Research, and the Kavli Foundation, the Kavli Prizes are awarded every two years to “honor scientists for breakthroughs in astrophysics, nanoscience and neuroscience that transform our understanding of the big, the small and the complex.” The laureates in each field will share $1 million.

Understanding recognition of faces

Nancy Kanwisher, the Walter A Rosenblith Professor of Brain and Cognitive Sciences and McGovern Institute for Brain Research investigator, has been awarded the 2024 Kavli Prize in Neuroscience with Doris Tsao, professor in the Department of Molecular and Cell Biology at the University of California at Berkeley, and Winrich Freiwald, the Denise A. and Eugene W. Chinery Professor at the Rockefeller University.

Kanwisher, Tsao, and Freiwald discovered a specialized system within the brain to recognize faces. Their discoveries have provided basic principles of neural organization and made the starting point for further research on how the processing of visual information is integrated with other cognitive functions.

Kanwisher was the first to prove that a specific area in the human neocortex is dedicated to recognizing faces, now called the fusiform face area. Using functional magnetic resonance imaging, she found individual differences in the location of this area and devised an analysis technique to effectively localize specialized functional regions in the brain. This technique is now widely used and applied to domains beyond the face recognition system. 

Integrating nanomaterials for biomedical advances

Robert Langer, the David H. Koch Institute Professor, has been awarded the 2024 Kavli Prize in Nanoscience with Paul Alivisatos, president of the University of Chicago and John D. MacArthur Distinguished Service Professor in the Department of Chemistry, and Chad Mirkin, professor of chemistry at Northwestern University.

Langer, Alivisatos, and Mirkin each revolutionized the field of nanomedicine by demonstrating how engineering at the nano scale can advance biomedical research and application. Their discoveries contributed foundationally to the development of therapeutics, vaccines, bioimaging, and diagnostics.

Langer was the first to develop nanoengineered materials that enabled the controlled release, or regular flow, of drug molecules. This capability has had an immense impact for the treatment of a range of diseases, such as aggressive brain cancer, prostate cancer, and schizophrenia. His work also showed that tiny particles, containing protein antigens, can be used in vaccination, and was instrumental in the development of the delivery of messenger RNA vaccines. 

Searching for life beyond Earth

Sara Seager, the Class of 1941 Professor of Planetary Sciences in the Department of Earth, Atmospheric and Planetary Sciences and a professor in the departments of Physics and of Aeronautics and Astronautics, has been awarded the 2024 Kavli Prize in Astrophysics along with David Charbonneau, the Fred Kavli Professor of Astrophysics at Harvard University.

Seager and Charbonneau are recognized for discoveries of exoplanets and the characterization of their atmospheres. They pioneered methods for the detection of atomic species in planetary atmospheres and the measurement of their thermal infrared emission, setting the stage for finding the molecular fingerprints of atmospheres around both giant and rocky planets. Their contributions have been key to the enormous progress seen in the last 20 years in the exploration of myriad exoplanets. 

Kanwisher, Langer, and Seager bring the number of all-time MIT faculty recipients of the Kavli Prize to eight. Prior winners include Rainer Weiss in astrophysics (2016), Alan Guth in astrophysics (2014), Mildred Dresselhaus in nanoscience (2012), Ann Graybiel in neuroscience (2012), and Jane Luu in astrophysics (2012).

Seated at the grand piano in MIT’s Killian Hall last fall, first-year student Jacqueline Wang played through the lively opening of Mozart’s “Sonata in B-flat major, K.333.” When she’d finished, Mi-Eun Kim, pianist and lecturer in MIT’s Music and Theater Arts Section (MTA), asked her to move to the rear of the hall. Kim tapped at an iPad. Suddenly, the sonata she'd just played poured forth again from the piano — its keys dipping and rising just as they had with Wang’s fingers on them, the resonance of its strings filling the room. Wang stood among a row of empty seats with a slightly bemused expression, taking in a repeat of her own performance.

“That was a little strange,” Wang admitted when the playback concluded, then added thoughtfully: “It sounds different from what I imagine I’m playing.”

This unusual lesson took place during a nearly three-week residency at MIT of the Steinway Spirio | r, a piano embedded with technology for live performance capture and playback. “The residency offered students, faculty, staff, and campus visitors the opportunity to engage with this new technology through a series of workshops that focused on such topics as the historical analysis of piano design, an examination of the hardware and software used by the Spirio | r, and step-by-step guidance of how to use the features,” explains Keeril Makan, head of MIT Music and Theater Arts and associate dean of the School of Humanities, Arts, and Social Sciences.

Wang was one of several residency participants to have the out-of-body experience of hearing herself play from a different vantage point, while watching the data of her performance scroll across a screen: color-coded rectangles indicating the velocity and duration of each note, an undulating line charting her use of the damper pedal. Wang was even able to edit her own performance, as she discovered when Kim suggested her rhythmic use of the pedal might be superfluous. Using the iPad interface to erase the pedaling entirely, they listened to the playback again, the notes gaining new clarity.

“See? We don’t need it,” Kim confirmed with a smile.

“When MIT’s new music building (W18) opens in spring 2025, we hope it will include this type of advanced technology. It would add value not just to Wang’s cohort of 19 piano students in the Emerson/Harris Program, which provides a total of 71 scholars and fellows with support for conservatory-level instruction in classical, jazz, and world music. But could also offer educational opportunities to a much wider swath of the MIT community,” says Makan. “Music is the fifth-most popular minor at MIT; 1,700 students enroll in music and theater arts classes each semester, and the Institute is brimming with vocalists, composers, instrumentalists, and music history students.”

According to Kim, the Spirio enables insights beyond what musicians could learn from a conventional recording; hearing playback directly from the instrument reveals sonic dimensions an MP3 can’t capture. “Speaker systems sort of crunch everything down — the highs and the lows, they all kind of sound the same. But piano solo music is very dynamic. It’s supposed to be experienced in a room,” she says.

During the Spirio | r residency, students found they could review their playing at half speed, adjust the volume of certain notes to emphasize a melody, transpose a piece to another key, or layer their performance — prerecording one hand, for example, then accompanying it live with the other.

“It helps the student be part of the learning and the teaching process,” Kim says. “If there’s a gap between what they imagined and what they hear and then they come to me and say, ‘How do I fix this?’ they’re definitely more engaged. It’s an honest representation of their playing, and the students who are humbled by it will become better pianists.”

For Wang, reflecting on her lesson with Kim, the session introduced an element she’d never experienced since beginning her piano studies at age 5. “The visual display of how long each key was played and with what velocity gave me a more precise demonstration of the ideas of voicing and evenness,” Wang says. “Playing the piano is usually dependent solely on the ears, but this combines with the auditory experience a visual experience and statistics, which helped me get a more holistic view of my playing.”

As a first-year undergraduate considering a Course 6 major (electrical engineering and computer science, or EECS), Wang was also fascinated to watch Patrick Elisha, a representative from Steinway dealer M. Steinert & Sons, disassemble the piano action to point out the optical sensors that measure the velocity of each hammer strike at 1,020 levels of sensitivity, sampled 800 times per second.

“I was amazed by the precision of the laser sensors and inductors,” says Wang. “I have just begun to take introductory-level courses in EECS and am just coming across these concepts, and this certainly made me more excited to learn more about these electrical devices and their applications. I was also intrigued that the electrical system was added onto the piano without interfering with the mechanical structure, so that when we play the Spirio, our experience with the touch and finger control was just like that of playing a usual Steinway.”

Another Emerson/Harris scholar, Víctor Quintas-Martínez, a PhD candidate in economics who resumed his lapsed piano studies during the Covid-19 pandemic, visited Killian Hall during the residency to rehearse a Fauré piano quartet with a cellist, violist, and violinist. “We did a run of certain passages and recorded the piano part. Then I listened to the strings play with the recording from the back of the hall. That gave me an idea of what I needed to adjust in terms of volume, texture, pedal, etc., to achieve a better balance. Normally, when you’re playing, because you’re sitting behind the strings and close to the piano, your perception of balance may be somewhat distorted,” he notes.

Kim cites another campus demographic ripe for exploring these types of instruments like the Spirio | r and its software: future participants in MIT’s relatively new Music Technology Master's Program, along with others across the Institute whose work intersects with the wealth of data the instrument captures. Among them is Praneeth Namburi, a research scientist at the MIT.nano Immersion Lab. Typically, Namburi focuses his neuroscience expertise on the biomechanics of dancing and expert movement. For two days during the MTA/Spirio residency, he used the sensors at the Immersion Lab, along with those of the Spirio, to analyze how pianists use their bodies.

“We used motion capture that can help us contrast the motion paths of experts such as Mi-Eun from those of students, potentially aiding in music education,” Namburi recounts, “force plates that can give scientific insights into how movement timing is organized, and ultrasound to visualize the forearm tissues during playing, which can potentially help us understand musicianship-related injuries.”

“The encounter between MTA and MIT.nano was something unique to MIT,” Kim believes. “Not only is this super useful for the music world, but it’s also very exciting for movement researchers, because playing piano is one of the most complex activities that humans do with our hands.”

In Kim’s view, that quintessentially human complexity is complemented by these kinds of technical possibilities. “Some people might think oh, it's going to replace the pianist,” she says. “But in the end it is a tool. It doesn’t replace all of the things that go into learning music. I think it's going to be an invaluable third partner: the student, the teacher, and the Spirio — or the musician, the researcher, and the Spirio. It's going to play an integral role in a lot of musical endeavors.”

Razer makes some of the best keyboards you can buy in 2024. And while we've seen plenty of great keyboard deals this summer, this one has to be one of our favorites, as it takes a massive 55% off one of the brand's top-end keyboards. The Razer Huntsman not only delivers a typing experience that's great for everyday use, but it's also perfect for gaming too.

Network-attached storage (NAS) is a great solution to an ever-growing sea of external drives, low-space alerts on devices, and the need to run some services within the LAN. A NAS can be handy at home and useful for work and businesses. It's not only about storing data, although that is the primary goal with NAS enclosures. These powerful servers can run services, host internal websites, and more. I frequently use them for work and highly recommend doing so if you're serious about being productive.

IEEE Collabratec has made it easier for volunteers to display their IEEE positions. The online networking platform released a new benefit this year for its users: digital certificates for IEEE volunteering. They reflect contributions made to the organization, such as leading a committee or organizing an event.

Members can download the certificates and add them to their LinkedIn profile or résumé. Volunteers also can print their certificates to frame and display in their office.

Each individualized document includes the person’s name, the position they’ve held, and the years served. Every position held has its own certificate. The member’s list of roles is updated annually.

The feature is a result of a top recommendation to improve volunteer recognition made by delegates at the 2023 IEEE Sections Congress, according to Deepak Mathur. The senior member is vice president of IEEE Member and Geographic Activities. The new feature “respects the time and effort of our volunteers and is a testament to the power and versatility of the Collabratec platform,” Mathur said in an announcement.

Members can download their certificates by selecting the Certificates tab on their Collabratec page and scrolling to each of their positions.

To learn more about IEEE Collabratec, check out the user guide, FAQs, and users’ forum.

IEEE TryEngineering has partnered with Keysight Technologies to develop lesson plans focused on electronics and power simulation. Keysight provides hardware, software, and services to a wide variety of industries, particularly in the area of electronic measurement.

IEEE TryEngineering, an IEEE Educational Activities program, empowers educators to foster the next generation of technology innovators through free, online access to culturally relevant, developmentally appropriate, and educationally sound instructional resources for teachers and community volunteers.

The lesson plans cover a variety of STEM topics, experience levels, and age ranges. Educators should be able to find an applicable topic for their students, regardless of their grade level or interests.

Lesson plans on circuits

There are already a number of lesson plans available through the Keysight partnership that introduce students to electrical concepts, with more being developed. The most popular one thus far is Series and Parallel Circuits, which has been viewed more than 100 times each month. Teams of pupils predict the difference between a parallel and serial circuit design by building examples using wires, light bulbs, and batteries.

“TryEngineering is proud to be Keysight’s partner in attaining the ambitious goal of bringing engineering lessons to 1 million students in 2024.” —Debra Gulick

The newest of the Keysight-sponsored lesson plans, Light Up Name Badge, teaches the basics of circuitry, such as the components of a circuit, series and parallel circuits, and electronic component symbols. Students can apply their newfound knowledge in a design challenge wherein they create a light-up badge with their name.

Developing a workforce through STEM outreach

“Keysight’s commitment to workforce development through preuniversity STEM outreach makes it an ideal partner for IEEE TryEngineering,” says Debra Gulick, director of student and academic education programs for IEEE Educational Activities.

In addition, Keysight’s corporate social responsibility vision to build a better planet by accelerating innovation to connect and secure the world while employing a global business framework of ethical, environmentally sustainable, and socially responsible operations makes it a suitable IEEE partner.

“TryEngineering is proud to be Keysight’s partner in attaining the ambitious goal of bringing engineering lessons to 1 million students in 2024,” Gulick says.

The IEEE STEM Summit, a three-day virtual event in October for IEEE volunteers and educators, is expected to include a session highlighting Keysight’s lesson plans.

Educators and volunteers engaged in outreach activities with students can learn more on the Keysight TryEngineering partnership page.

A new, tunable smart surface can transform a single pulse of light into multiple beams, each aimed in different directions. The proof-of-principle development opens the door to a range of innovations in communications, imaging, sensing, and medicine.

The research comes out of the Caltech lab of Harry Atwater, a professor of applied physics and materials science, and is possible due to a type of nano-engineered material called a metasurface. “These are artificially designed surfaces which basically consist of nanostructured patterns,” says Prachi Thureja, a graduate student in Atwater’s group. “So it’s an array of nanostructures, and each nanostructure essentially allows us to locally control the properties of light.”

The surface can be reconfigured up to millions of times per second to change how it is locally controlling light. That’s rapid enough to manipulate and redirect light for applications in optical data transmission such as optical space communications and Li-Fi, as well as lidar.

“[The metasurface] brings unprecedented freedom in controlling light,” says Alex M.H. Wong, an associate professor of electrical engineering at the City University of Hong Kong. “The ability to do this means one can migrate existing wireless technologies into the optical regime. Li-Fi and LIDAR serve as prime examples.”

Metasurfaces remove the need for lenses and mirrors

Manipulating and redirecting beams of light typically involves a range of conventional lenses and mirrors. These lenses and mirrors might be microscopic in size, but they’re still using optical properties of materials like Snell’s Law, which describes the progress of a wavefront through different materials and how that wavefront is redirected—or refracted—according to the properties of the material itself.

By contrast, the new work offers the prospect of electrically manipulating a material’s optical properties via a semiconducting material. Combined with nano-scaled mirror elements, the flat, microscopic devices can be made to behave like a lens, without requiring lengths of curved or bent glass. And the new metasurface’s optical properties can be switched millions of times per second using electrical signals.

“The difference with our device is by applying different voltages across the device, we can change the profile of light coming off of the mirror, even though physically it’s not moving,” says paper co-author Jared Sisler—also a graduate student in Atwater’s group. “And then we can steer the light like it’s an electrically reprogrammable mirror.”

The device itself, a chip that measures 120 micrometers on each side, achieves its light-manipulating capabilities with an embedded surface of tiny gold antennas in a semiconductor layer of indium tin oxide. Manipulating the voltages across the semiconductor alters the material’s capacity to bend light—also known as its index of refraction. Between the reflection of the gold mirror elements and the tunable refractive capacity of the semiconductor, a lot of rapidly-tunable light manipulation becomes possible.

“I think the whole idea of using a solid-state metasurface or optical device to steer light in space and also use that for encoding information—I mean, there’s nothing like that that exists right now,” Sisler says. “So I mean, technically, you can send more information if you can achieve higher modulation rates. But since it’s kind of a new domain, the performance of our device is more just to show the principle.”

Metasurfaces open up plenty of new possibilities

The principle, says Wong, suggests a wide array of future technologies on the back of what he says are likely near-term metasurface developments and discoveries.

“The metasurface [can] be flat, ultrathin, and lightweight while it attains the functions normally achieved by a series of carefully curved lenses,” Wong says. “Scientists are currently still unlocking the vast possibilities the metasurface has available to us.

“With improvements in nanofabrication, elements with small feature sizes much smaller than the wavelength are now reliably fabricable,” Wong continues. “Many functionalities of the metasurface are being routinely demonstrated, benefiting not just communication but also imaging, sensing, and medicine, among other fields... I know that in addition to interest from academia, various players from industry are also deeply interested and making sizable investments in pushing this technology toward commercialization.”

Author and leadership expert John C. Maxwell famously said, “The single biggest way to impact an organization is to focus on leadership development. There is almost no limit to the potential of an organization that recruits good people, raises them up as leaders, and continually develops them.”

Experts confirm that there are clear benefits to fostering leadership by encouraging employees’ professional growth and nurturing and developing company leaders. A culture of leadership development and innovation boosts employee engagement by 20 percent to 25 percent, according to an analysis in the Journal of Applied Psychology. Companies are 22 percent more profitable, on average, when they engage their employees by building a culture of leadership, innovation, and recognition, according to Zippia research.

Developing professionals into strong leaders can have a lasting impact on a company, and the IEEE Professional Development Suite can help make it possible. The training programs in the suite help aspiring technology leaders who want to develop their essential business and management skills. Programs include IEEE Leading Technical Teams, the IEEE | Rutgers Online Mini-MBA for Engineers and Technical Professionals, and the Intensive Wireless Communications and Advanced Topics in Wireless courses offered by the IEEE Communications Society. IEEE also offers topical courses through its eLearning Library.

Tips for leading teams

IEEE Leading Technical Teams is a live, six-hour course offered both in person and virtually. Addressing challenges that come with leading groups, it is designed for team leaders, managers, and directors of engineering and technical teams.

“Participating benefited me and my employer by enhancing my leadership skills in inspiring others to achieve the goals of our organization,” says Stephen Wilkowski, a system test engineer at CACI International in Reston, Va., who completed the training. “I found the leadership practices assessment to be very valuable, as I appreciated the anonymous feedback received from those who I work with. I would recommend the training to anyone desiring to improve their leadership skills.”

Attendees participate in the 360° Leadership Practices Inventory, a tool that solicits confidential feedback on the participant’s strengths and opportunities for improvement from their team members and managers. The program encompasses instructor-led exercises and case studies demonstrating the application of best practices to workplace challenges.

Participants learn the “five practices of exemplary leadership” and receive valuable peer coaching.

To learn more about in-person and virtual options for individuals and companies, complete this form.

A mini-MBA for technologists

The 12-week IEEE | Rutgers Online Mini-MBA for Engineers and Technical Professionals program covers business strategy, new product development management, financial analysis, sales and marketing, and leadership. It includes a combination of expert instruction, peer interaction, self-paced video lessons, interactive assessments, live office hours, and hands-on capstone project experience. The program offers flexible learning opportunities for individual learners as well as customized company cohort options.

Developing professionals into strong leaders can have a lasting impact on a company, and the IEEE Professional Development Suite can help make that possible.

“The mini-MBA was a great opportunity to explore other areas of business that I don’t typically encounter,” says graduate Jonathan Bentz, a senior manager at Nvidia. “I have a customer-facing technical role, and the mini-MBA allowed me to get a taste of the full realm of business leadership.”

For more information, see IEEE | Rutgers Online Mini-MBA for Engineers and Technical Professionals.

Training on wireless communications

The Intensive Wireless Communications and the Advanced Topics in Wireless course series are exclusively presented by the IEEE Communications Society.

The Intensive Wireless interactive live course provides training necessary to stay on top of key developments in the dynamic, rapidly evolving communications industry. Designed for those with an engineering background who want to enhance their knowledge of wireless communication technologies, the series is an ideal way to train individual employees or your entire team at once.

The Advanced Topics in Wireless series is for engineers and technical professionals with a working knowledge of wireless who are looking to enhance their skill set. The series dives into recent advancements, applications, and use cases in emerging connectivity.

Participants in the live, online course series develop a comprehensive view of 5G/NR technology, as well as an understanding of the implementation of all the ITU-specified use case categories such as enhanced mobile broadband, mIoT, and ultra-reliable low-latency communication. The series also provides a robust foundation on the network architecture and the evolution of technology, which enables fully open radio access networks.

Learn more about the Advanced Topics in Wireless Course Series by completing this form.

Topics in the eLearning Library

Tailored for professionals, faculty, and students, the IEEE eLearning Library taps into a wealth of expertise from the organization’s global network of more than 450,000 industry and academia members. Courses cover a wide variety of disciplines including artificial intelligence, blockchain technology, cyber and data security, power and energy, telecommunications, and IEEE standards.

You can help foster growth and leadership skills for your organization by offering employees access to hundreds of courses. Start exploring the library by filling out this form.

Completion of course programs offers learners the ability to earn IEEE certificates bearing professional development hours, continuing education units, and digital badges.

When Amazon Web Services paid US $650 million in March for another data center to add to its armada, the tech giant thought it was buying a steady supply of nuclear energy to power it, too. The Susquehanna Steam Electric Station outside of Berick, Pennsylvania, which generates 2.5 gigawatts of nuclear power, sits adjacent to the humming data center and had been directly powering it since the center opened in 2023.

After striking the deal, Amazon wanted to change the terms of its original agreement to buy 180 megawatts of additional power directly from the nuclear plant. Susquehanna agreed to sell it. But third parties weren’t happy about that, and their deal has become bogged down in a regulatory battle that will likely set a precedent for data centers, cryptocurrency mining operations, and other computing facilities with voracious appetites for clean electricity.

Putting a data center right next to a power plant so that it can draw electricity from it directly, rather than from the grid, is becoming more common as data centers seek out cheap, steady, carbon-free power. Proposals for co-locating data centers next to nuclear power have popped up in New Jersey, Texas, Ohio, and elsewhere. Sweden is considering using small modular reactors to power future data centers.

However, co-location raises questions about equity and energy security, because directly-connected data centers can avoid paying fees that would otherwise help maintain grids. They also hog hundreds of megawatts that could be going elsewhere.

“They’re effectively going behind the meter and taking that capacity off of the grid that would otherwise serve all customers,” says Tony Clark, a senior advisor at the law firm Wilkinson Barker Knauer and a former commissioner at the Federal Energy Regulatory Commission (FERC), who has testified to a U.S. House subcommittee on the subject.

Amazon’s nuclear power deal meets hurdles

The dust-up over the Amazon-Susquehanna agreement started in June, after Amazon subsidiary Amazon Web Services filed a notice to change its interconnection service agreement (ISA) in order to buy more nuclear power from Susquehanna’s parent company, Talen Energy. Amazon wanted to increase the amount of behind-the-meter power it buys from the plant from 300 MW to 480 MW. Shortly after it requested the change, utility giants Exelon and American Electric Power (AEP), filed a protest against the agreement and asked FERC to hold a hearing on the matter.

Their complaint: the deal between Amazon and the nuclear plant would hurt a third party, namely all the customers who buy power from AEP or Exelon utilities. The protest document argues that the arrangement would shift up to $140 million in extra costs onto the people of Pennsylvania, New Jersey, and other states served by PJM, a regional transmission organization that oversees the grid in those areas. “Multiplied by the many similar projects on the drawing board, it is apparent that this unsupported filing has huge financial consequences that should not be imposed on ratepayers without sufficient process to determine and evaluate what is really going on,” their complaint says.

Susquehanna dismissed the argument, effectively saying that its deal with Amazon is none of AEP and Exelon’s business. “It is an unlawful attempt to hijack this limited [ISA] amendment proceeding that they have no stake in and turn it into an ad hoc national referendum on the future of data center load,” Susquehanna’s statement said. (AEP, Exelon, Talen/Susquehanna, and Amazon all declined to comment for this story.)

More disputes like this will likely follow as more data centers co-locate with clean energy. Kevin Schneider, a power system expert at Pacific Northwest National Laboratory and research professor at Washington State University, says it’s only natural that data center operators want the constant, consistent nature of nuclear power. “If you look at the base load nature of nuclear, you basically run it up to a power level and leave it there. It can be well aligned with a server farm.”

Data center operators are also exploring energy options from solar and wind, but these energy sources would have a difficult time matching the constancy of nuclear, even with grid storage to help even out their supply. So giant tech firms look to nuclear to keep their servers running without burning fossil fuels, and use that to trumpet their carbon-free achievements, as Amazon did when it bought the data center in Pennsylvania. “Whether you’re talking about Google or Apple or Microsoft or any of those companies, they tend to have corporate sustainability goals. Being served by a nuclear unit looks great on their corporate carbon balance sheet,” Clark says.

Costs of data centers seeking nuclear energy

Yet such arrangements could have major consequences for other energy customers, Clark argues. For one, directing all the energy from a nuclear plant to a data center is, fundamentally, no different than retiring that plant and taking it offline. “It’s just a huge chunk of capacity leaving the system,” he says, resulting in higher prices and less energy supply for everyone else.

Another issue is the “behind-the-meter” aspect of these kinds of deals. A data center could just connect to the grid and draw from the same supply as everyone else, Clark says. But by connecting directly to the power plant, the center’s owner avoids paying the administrative fees that are used to maintain the grid and grow its infrastructure. Those costs could then get passed on to businesses and residents who have to buy power from the grid. “There’s just a whole list of charges that get assessed through the network service that if you don’t connect through the network, you don’t have to pay,” Clark says. “And those charges are the part of the bill that will go up” for everyone else.

Even the “carbon-free” public relations talking points that come with co-location may be suspect in some cases. In Washington State, where Schneider works, new data centers are being planted next to the region’s abundant hydropower stations, and they’re using so much of that energy that parts of the state are considering adding more fossil fuel capacity to make ends meet. This results in a “zero-emissions shell game,” Clark wrote in a white paper on the subject.

These early cases are likely only the beginning. A report posted in May from the Electric Power Research Institute predicts energy demand from data centers will double by 2030, a leap driven by the fact that AI queries need ten times more energy than traditional internet searches. The International Energy Agency puts the timeline for doubling sooner–in 2026. Data centers, AI, and the cryptocurrency sector consumed an estimated 460 terawatt-hours (TWh) in 2022, and could reach more than 1000 TWh in 2026, the agency predicts.

Data centers face energy supply challenges

New data centers can be built in a matter of months, but it takes years to build utility-scale power projects, says Poorvi Patel, manager of strategic insights at Electric Power Research Institute and contributor to the report. The potential for unsustainable growth in electricity needs has put grid operators on alert, and in some cases has sent them sounding the alarm. Eirgrid, a state-owned transmission operator in Ireland, last week warned of a “mass exodus” of data centers in Ireland if it can’t connect new sources of energy.

There’s only so much existing nuclear power to go around, and enormous logistical and regulatory roadblocks to building more. So data center operators and tech giants are looking for creative solutions. Some are considering small modular reactors (SMRs)–which are advanced nuclear reactors with much smaller operating capacities than conventional reactors. Nano Nuclear Energy, which is developing microreactors–a particularly small type of SMR–last month announced an agreement with Blockfusion to explore the possibility of powering a currently defunct cryptomining facility in Niagara Falls, New York.

“To me, it does seem like a space where, if big tech has a voracious electric power needs and they really want that 24/7, carbon-free power, nuclear does seem to be the answer,” Clark says. “They also have the balance sheets to be able to do some of the risk mitigation that might make it attractive to get an SMR up and running.”

GameFromScratch.com
Tree3D Procedural Tree Add-On For Godot

Tree3D is a Godot Extension (implemented via GDExtension) for Godot Engine 4.1 or higher that is used to create procedural trees. If you do not wish to build the extension from source, there are precompiled Windows binaries available here. The project is open source, implemented in C++ and released under […]

The post Tree3D Procedural Tree Add-On For Godot appeared first on GameFromScratch.com.

GameFromScratch.com
Game UI Database 2.0

We first covered the Game UI Database in April of 2023 and at the time it was one of the single best resources for game UI/UX designers, with a massive database of game user interface elements. Today, Game UI Database 2.0 has been released, a massive (ironically enough) user interface […]

The post Game UI Database 2.0 appeared first on GameFromScratch.com.

Few PlayStation 5 owners dare to dream of a day when all of their games can be downloaded and installed on the console at the same time. But thanks to a new 8TB SSD, that dream is becoming a little more real, and very expensive.

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Baldur's Gate 3 offers an immersive team-based RPG experience set within the Dungeons & Dragons universe, where your decisions shape an epic tale filled with camaraderie and deceit as well as survival struggles and the lure of ultimate power. Baldur's Gate stands as an extraordinary work, an expression of creative ingenuity crafted in an environment unblemished by industry greed. Yet an ancient malevolence lurks within that seeks to consume Baldur's Gate from within; your ability to combat such a threat poses the threat of changing Faerun forever! Rejecting alone may be possible; but only by joining forces can success become achievable.

Gaming Excellency

Baldur's Gate 3 stands as an outstanding demonstration of creative director Swen Vincke and his team's dedication to gaming, as opposed to profit, and is deservedly one of the best RPG games of the year. Instead, this title represents their undying passion for this medium rather than acting solely as revenue generators. Baldur's Gate 3 constantly amazed me with its masterful encounter design and use of dice to determine initiative combat, often leaving me speechless with shock at how carefully each encounter had been orchestrated to put me through agonizing trials. Each skirmish felt like an artistic masterstroke crafted to provoke and frustrate. I found myself wanting to exclaim, "You malevolent genius!" yet with much appreciation.

D&D Quest for Power

Fans of D&D must buy Baldur's Gate 3 because is probably the best incarnation of this style of gaming to date. After selecting an avatar from among a range of classes, species, traits, and backgrounds to represent you or choosing to immerse yourself through one of five exquisitely voiced companions, you find yourself trapped inside an immersive pod within a Nautiloid airborne vessel driven by bipedal Cephalopod-faced Mind Flayers with their powerful telekinetic prowess - with your evolution as formidable adversaries over four levels proving especially difficult because you may initially be vulnerable - although your chosen protagonist's progress can take time if not properly invested into initially!

The Legends of Baldur's Gate 3

Baldur's Gate 3 stands as an outstanding candidate for Game of the Year, and this praise should not be taken as mere hyperbole because it delivers on all fronts: story, characters, gameplay, music, and sound. After playing for more than 100 hours (with some very long sessions, I have to admit) since I have purchased it, I declare myself a big fan of it. Admittedly, I remain transfixed by its captivating narrative. I experienced a thrilling emotion exploring Baldur's Gate city, and even if I am not a fan of turn-based combat, I was not displeased by it (which is a big thing for me, trust me!)

Baldur's Gate 3 - The Best D&D RPG Today

I wholeheartedly recommend, that if you have the chance to buy cheap PS5 games this holiday season, check out Baldur's Gate 3: with excellent storytelling, clean and beautiful visuals, top character customization, and an immersive world, it should be a no-risk purchase. All its qualities, from characters and gameplay, to sound and story, are coming together into one cohesive gaming experience that is unrivaled. Gather your companions for an epic quest back into the Forgotten Realms where a tale of loyalty, treachery, self-sacrifice, endurance, and the irresistible force of absolute power lies ahead of them.

Nintendo.com microsite – Official website – Wikipedia page

When you purchase games on the Nintendo eShop, you earn store credit. I usually save up a lot of my credit and purchase a smaller title with it. One of these titles I purchased a few months ago is named Little Noah – Scion of Paradise. After playing it for a bit, I was surprised that it was the perfect game to play on my commute to and from work. I played it on a few train rides, and I think I’m ready to share my opinion on this game. This game is something unique and now that I have beaten it once, I really want to talk about it. Wait, beaten it once? What do I actually mean? Let’s talk about it in this article, while I invite you to leave a comment with your thoughts and/or opinions on this game and/or the content of this article in the comment section down below.

Zipping Kitty Attempts

In this game, we play as an alchemist called Little Noah. She is in a long journey to reunite with her father. While she is looking for her father, her airship gets caught in a storm, and she crashes near a mysterious ruin.

In that ruin, she meets an amnesiac cat named Zipper. Well, she names it Zipper. Together, they start to explore this ruin because they encountered a dark wizard named Greigh, who wants to enable a powerful machine which is dormant in the ruin.

Now, if you are looking for a deep story… I’m going to have to disappoint you. The story of this game isn’t the main focus of this game. The story in this game is fine for what it is and does its job, but there is nothing more to it. Personally, I don’t think it’s a negative for this game. Because the story takes a backseat, the gameplay loop is a lot more polished. Also, I don’t think it was the intention to have a very in depth story.

The voice actors in this game did an amazing job and brought the characters and the world of this game to live. The amount of personality they brought to their characters is really well done and really fits the atmosphere of this game like a glove. The amazing voice acting is one of the main reasons why I didn’t mind the “To be continued” at the end of the game at all. This small title really feels like the developers are testing the water if people who be interested in a larger game set in the world of Little Noah.

So, what do I mean by “small title”? Well, this game can be beaten in an afternoon. Now, the game has quite a lot of replay value in my opinion. The gameplay loop of this game is quite enjoyable. It has quite the potential to grow into something unique that I don’t often see in these rouge lite games. But, I’ll talk more about the gameplay later.

According to various sources online, this game has been worked on by a small team of 30 people. Even by some industry legends like Yukio Futatsugi, who had his hand on another title I played in the past called World’s End Club. The amount of love and care put into this title is quite impressive and gets a thumbs up from me. I know that this game is based upon an earlier mobile game from the same developers called Battle Champs. Yet, I think it’s great to see the developers repurpose the assets after the shutdown of that game and make something new about it.

If you have ever played a game like Rouge Legacy, you’ll feel right at home in this game. In this game, you have to explore a dungeon and fight bosses. During your exploration run, you gain various special items that give you all sorts of buffs.

In terms of difficulty, this game is very balanced. While you can get lucky and get amazing items and buffs to make it quite far in the game, with enough skill and understanding of the game… you can even outplay the game if you get bad items and not good buffs. Now, I’m reading mixed things about the hard difficulty online, but I have been playing through this game on normal difficulty and I found it pretty fair and balanced. So, let’s do one more dive to explain how this game works.

One More Dive

I want to talk about the unique mechanic in this game. The combat system in this game is something I wanted to play for a long while. In this game, you are accompanied by Lilliputs. These are special creatures who attack for you. You start each run with three basic Lilliputs. During your run, you can find other Lilliputs and make yourself stronger.

Each Lilliput is very different in terms of strength, element, attack, and unique attack. You can only have five Lilliputs for your main attacks, and you have two special attack slots where you can place one Lilliput in each. So, you really need to balance your Lilliputs well. The order is also quite important, you don’t want a whole row of slow attacking Lilliputs in an area with a lot of range attacking enemies. Also, you don’t want to use a weak element compared to the enemies you are facing. If you are focusing on wind, you will have trouble with fire enemies.

It’s extremely important to understand your Lilliputs. Since, once you started an attack, you are somewhat locked into that attack. You can’t start another attack while an attack is in progress, excluding the special attacks that is. So, if the enemy moves to the other side of your attack, though luck. This game is a whole balancing and time act, and it’s a lot of fun. The randomness in this whole game makes each run unique, and you can never predict how far you’ll be able to go.

Now, dying in this game isn’t the worst thing. All your items and Lilliputs get converted into mana, which you can use to repair your airship. The more you repair your airship, the more advantages and buffs you can unlock to make even better runs. You can also use special treasure chests you can pick up in your run to either increase the strength of your unlocked Lilliputs or give to Zipper for a special bonus for your next run.

So, how does a run go? Well, allow me to compare it to a crusade in Cult of the Lamb to a degree. In that game, you go into a dungeon, and you have to go from room to room, defeating every enemy in that room before you can progress to the next room. Unlike Cult of the Lamb, some rooms give you a special challenge. These challenges are reaching a certain amount of chained damage or hits, not being hit or defeating all the enemies in a limited amount of time. When you complete this challenge, you receive an additional bonus when you defeat the room.

There are also special rooms that can spawn. A shop where you can spend the gold you earn during a run, platform challenges with a strong treasure chest at the end, (combat) challenge rooms and rooms where you can get special buffs from a crystal and a room where you can get Lilliputs or a buff item. All of these special rooms have a special icon on the map. The map also shows little icons when there is still something you can pick up in the room.

Complete exploration of a dungeon is a very risk/reward thing. You do risk your health to go into an additional room to get additional buffs, or do you want to save your health for the next (mid)boss level? In order to beat this game, you have to beat three worlds. Each world works like this: level – level – midboss – level – boss. Be warned, you can only replenish your health potions at the start of a level. During (mid)boss fights, you can’t replenish your health potions, so keep that in mind when you are deciding if it’s worth the risk to go into that challenge platforming room.

Overall, the gameplay in the dungeon is quite addictive and the fast-paced decision-making you have to make is something that got me hooked. I don’t spend a lot of time on my airship, outside repairing it and setting up the right buffs for my next run. I always want to do one more dive and try and beat the game again. Now, the airship itself is build quite well. You can also re-read the tutorial boxes in case you want to refresh your memory on certain mechanics.

Repetition of Diving

Something that really impressed me is how smooth this game actually runs. The optimization of this game is incredible. I didn’t have any frame rate issues or slowdowns at all. Even when I’m preforming my ultimate attack, which causes a lot of visual flair and effects on the screen.

The controls are extremely responsive as well. Very rarely I felt like I wasn’t in control, and I think some of these moments might even have been a false positive where I was trying to blame my mistake on the game. In terms of the controls, there are only a few nitpicks I can give. The first is the decision to place “R” as the interaction button. This feels quite unnatural and took me some getting used to. Also, I think a left-handed mode would have been welcome since I think left-handed people who appreciate the “L” button then for interactions.

Why am I placing so much attention on this? Well, because you don’t pick up items or Lilliputs automatically. You have to stand next to them and interact with their medal or crystal. But items like health drops or burst gauges are picked up automatically.

The other nitpick I have is that when you start your dive, you get a fixed amount of mana from the first dungeon. Why can’t we skip this little cutscene that plays every time? It breaks the flow of the start of a run. Since you are stopped in your tracks every time.

Another nitpick I have with the controls is how the Lilliput attack order can be decided. The problem comes when I just want to swap two Lilliputs of their place. This is something you can’t do. Unless you swap them from your inventory to the main line OR from the main line to a special attack slot and vice versa. Swapping two Lilliputs in the main line is somewhat clunky to do and feels unpolished.

Visually, this game is extremely colorful and charming. While this is a side view game, like a 2D Mario game, the backgrounds are also incredible. The team that worked on the visual presentation of this game did an amazing job. I only have one nitpick about it and that’s somewhat shared with a nitpick I have with the audio design.

I feel like the frozen status isn’t communicated clearly enough to the player. Several times I was unable to move Noah and I couldn’t figure out why. It took me sometime to realize that she was frozen and that’s the reason why I couldn’t preform an action. Either a more exaggerated visual of a frozen Noah could solve this or more sound effects when you try to do something while frozen.

Apart from that, I don’t have any complaints about the visuals. The animation feels amazing, and you feel the impact of the attacks of your Lilliputs and it feels so rewarding, adding more immersion to the gameplay loop. This game is something where I felt: “One more dive” after each time I died and returned to the airship. Each time I wanted to go and explore the amazing caverns. While I was afraid that this game would suffer from long play sessions, I was pleasantly surprised that it wasn’t the case for me. At the end of a long play session, I have to admit that the game felt a bit repetitive… But I don’t mind repetitive gameplay too much when the core gameplay loop and level design is fun.

The only negative I have about the level design is that you very quickly see all the possible room lay-outs there are in this game. While the dungeon is randomized each run, it doesn’t take long before you see similar rooms. A couple of times, I even had the same room back-to-back. This isn’t a huge problem perse, but I felt that the developers could mask this a bit better with different decorations or minor changes like one of the platforms having a possibility of crumbling or not.

The music and sound effects in this game are really catchy. I would love to add it to my playlist. Sadly, I can’t really find a way to listen to the soundtrack or even buy it. The tracks in this game are charming when they need to be but are also quite action-packed during fight scenes. The sound effects and visuals inform you quite well when an enemy is going to attack.

Now, I have said everything I wanted to say about this game for now. I think it’s high time for my conclusion of this game. Let’s dive into the summary and my final thoughts of this game.

Summary

The bad:

– Some minor nitpicks with the controls.
– Story is fine, but lacks some depth and is predictable.

The good:

+ Very addictive gameplay loop with high replay value.
+ Amazing voice acting.
+ Breath taking visuals.
+ Extremely optimized gameplay.
+ …

Final thoughts:

This game is a small indie title created from the remains of an old gotcha game. It’s only 15€ on the Nintendo eShop and it’s totally worth it’s price in gold. While the game lacks some depth and is quite short, the replay value this game has is something that’ll make you replay this game just one more time.

While playing this game, I felt that this game was an experiment. The developers were testing the waters if the gameplay would work or not. This game feels like a prequel to a much larger game and if I’m right, I can’t wait to see what the full game or the sequel is going to be like.

Even when this game is going to be a standalone game, I don’t really mind if that’s the case. This game is a game I can highly recommend if you enjoy games like Rouge Legacy or Cult of the Lamb. While it doesn’t have a lot of, if any, base building… It’s another amazing title in the genre.

While outside of the combat mechanics, it doesn’t do a lot of things you haven’t seen (a lot) before in other similar games. But, that isn’t a bad thing. Since, sometimes a game where all the good ideas from other games come together into one title can be a lot of fun as well.

I’d love to see another game in this universe where there are a bit more stakes in using your Lilliputs. What if certain Lilliputs get weaker when you pick up items of their opposite element? Or Lilliputs that can do a special attack with another Lilliput present…

There is so much more you can do with this combat system and I think that if the developers expanded on the core mechanics, this game sequel could reach quite far. Since, the game we already got placed an amazing foundation for an amazing series. I love this game to bits and I’m so glad I gave this game a chance, since it was an amazing pleasant surprise to playthrough. It comes highly recommend from me. After I finished the game once, I let me hunger for more. I wanted to play it even more. And the fact that I barely have any complaints about this game apart from a weak story and some nitpicks… This game just has a lot of care and lot put in by the developers and everything works and fits together so well.

With that said, I have said everything I wanted to say about this game for now. I want to thank you for reading this article and I hope you enjoyed reading this as much as I enjoyed writing it. I hope to be able to welcome you in another article, but until then, have a great rest of your day and take care.

Score: 90/100

Steam store page – Wikipedia – Official website

So, when I’m writing this, it is 2024. I turned 31 years old back in February. I still love playing video games and surfing the internet since I was a young lad. Besides that, I also have a fascination for anything that has to do with dreams and their meanings. And then a game called Hypnospace Outlaw turns up on my radar. A game that promises to bring back the early years of the internet that I remember. Not only that, we are going to have to moderate the internet with a new technology that allows people to surf the internet while they are dreaming. We have to play as an unnamed enforcer to keep the internet safe and on top of that, we can create our own pages and mod this game easily. But before we start spending time on that, let’s find out if the base game is actually good and if it’s worth to start playing this game or if it’s something we should skip. Also, feel free to leave your thoughts and/or opinions on this article and/or the game in the comment section down below. Besides, dear enforcer and MerchantSoft, this isn’t harassment, this is a fair review/critique of the game. Removing this from HypnoOS isn’t the solution.

Dreaming Up Nostalgic Investigations

In this game, you play as an unnamed enforcer for MerchantSoft. A company that developed a headband that allows users to surf the web in their dreams. Your goal is to clean up the HypnoSpace for everybody. You start in late 1999, where your first case is assigned. When your first case is assigned, you are left to your own devices, and you can explore the internet by yourself. And let me tell you, there is a lot of internet to explore.

The story of this game is fascinating. You get to dive and explore through various pages on the internet about various things. A long time before social media was a thing and everybody had a website for their own creations. The HypnoSpace has several zones, with each their own theme. If you remember AOL, you will know what I’m talking about.

If you want to get the most out of this game, I highly advise you to take your time with this game. Don’t rush it at all. This game is sadly rather short if you only follow the main story of the game. It’s only 6 hours long and shorter if you know what you are doing. I mean, the speedruns are only around 11 minutes. The strength of this game is the depth it has. This game has three main chapters, and there are clear triggers that separate the chapters.

The deeper you dig and the more you read up, the more interesting lore gets revealed. I actually started a second playthrough to try and find the things I missed. And honestly, this game is one that gets ruined by playing it with a guide in any sort or form. Do not play this game with a guide. It’s a lot less rewarding if you play it with a guide in your first or second playthrough. The wonder of getting lost in all of these pages is just so nostalgic.

Now, while I was playing, I was wondering if it would appeal to the younger players out there. I’m somewhat on the fence about that. While it tackles a lot of subjects that are still somewhat relevant, I honestly think that it’ll mostly click with those who grew up with the internet of the ’90 to early ’00. With that said, I think that it still might click with the younger people, but know that the internet was very different back then.

Point-And-Click Detective

This game is a point-and-click adventure game in any sense of the word. You get a case, and you have to explore the internet to see if anyone broke the rules or not.

Each infraction you find, will reward you with HypnoCoin. You can use these coins to buy various things in the Hypnospace. This can go from stickers, wallpapers, themes, applications to so much more. But be careful, it’s quite possible that some of these downloads are infected with malware. And back then, malware was a lot more visual and less aimed at serving you a lot of ads or stealing your information.

The controls of this game are quite easy. You mostly click with your mouse and input things sometimes in the search bar. If you know how to do basic things with a computer, you’ll very quickly find your way around with this game as well. While I sometimes struggled with opening apps, I didn’t have too much trouble with the controls. Thankfully, there are some options to tweak the controls to your liking, like disabling that double-clicking opens apps. But, I’m a Windows user and the double click to open apps is just hardwired in my brain.

Visually, this game really looks like you are playing with the old internet. When I noticed that there was a mod that changed the OS into Windows 95, oh boy, I was sold. There are various themes for the OS in this game, and they go from amazing to silly. There is even a fast food theme. Now, if you read that this game is mostly created by a team of 5 people, it’s even more impressive. Not only that, one of the main designers of Dropsy is part of the team.

The creativity of this game never ceased to amaze me. Let me continue on the trend of the visuals and say that the little details on how the webpages look is just so realistic. The little typo’s here and there, the rabbit holes you can jump down, the crazy visuals on various pages… Even the “help me, I can’t remove this” and “Test 1 2 3″… I made me crack up and remember my early days when I used to write webpages in plain HTML with barely any coding knowledge as a young teen.

While I knew that wiggling the mouse sped up the loading of the webpages, I just never really did. I just enjoyed the webpages loading slowly and having that experience again when I was a teenager before Facebook or any other big social media started to take over. Yes, even before MySpace. While I only experienced the late “pre-social media internet”, I do have amazing memories of it.

On top of that, you have the amazing wallpapers and sticker packs you can buy and play around with. With this, you can really make your desktop your own. But, something that really triggered memories for me were the viruses you can encounter. Back as a young teen, I was a lot less careful in what I downloaded and seeing the visual mess some viruses can create in this game, it triggered some nasty memories.

Memories like how one time, I got a very nasty variant of the SASSER worm and each time I installed something new, my computer would lock up and crash. Yes, even when you tried to re-install Windows, it locked up and crashed the installer. After a lot of digging, I found that it was caused by a program starting with boot and I had to screw out my hard drive, connect it with somebody’s computer and then remove the start-up file from there. I also had a piece of malware that looked like the ButtsDisease virus in this game. Where it started to change all the text on a webpage to another word. Oh man, those were the days.

So, during your investigations you can encounter various things. Things like people breaking the rules, and you have to report those. You mostly need to focus on one of 5 categories. Copyright infringement, harassment, illegal downloads/malware, extra illegal commerce and illegal activity. Each law gets several infractions, and you do have to look for them. At one moment, I really that to take notes. I really have to say, taking notes for this game is really helpful, you even have the notes’ app in HypnoOS.

Sticking in your brain

Now, something I have to commend the developers for in this game is that they also took accessibility into account. Something I have to commend the developers for as well is the amount of content in this game, even when the main story is extremely short. I already talked about the visuals and how much I love them, but the music in this game is something else.

Some of the music tracks are really stuck in my mind and I wouldn’t be surprised that if I ever write another article in my favorite game music series, some of them will pop up in that. Some tracks are real earworms and got stuck in my brain. The music for some of the parody products in this game is so good, that I wish they were real.

The music in this game is a mixture of various styles, and I find some of them more catchy than the others, but it’s really impressive at how many styles there are in this game. If you know that this game has over 4 hours of music in it, that’s an amazing feat.

There is even a whole suite where you can create your own pages, music and mods released by one of the main developers of this game. It works only on Windows and you can read more about it on the itch.io page of Jay Tolen here. There were even various community events where your stuff could appear as an Easter egg in the main game. Yet, these tools are now part of the main game and are in your installation folder.

Speaking about this, modding this game is extremely easy. There is even a build in mod browser, and it’s a piece of cake to install and downloads mods. If you use the in-game mod menu, you don’t have to reboot the game for most mods to take effect. Just go to the main menu, choose the mods button and install the mods you want. Now, there are a lot more mods out there then just what you can find in the in-game mod browser, so check them out here.

The game has an autosave, it doesn’t really show when the game gets saved. There are three save slots, so if you want to replay the game, you can pick another save slot. Now, if there is one mod I highly advise is he expanded endgame cases mod. This mod expands the game quite naturally and is a lot of fun and additional challenge. But don’t read the description when you haven’t finished the game, since it contains quite a lot of spoilers.

This game can be quite tricky. Sometimes the solution isn’t the easiest to find. It’s even possible you don’t find the solution to every puzzle out there. Now, there is a built in hint system for this game. It’s somewhat hidden to avoid immersion breaking, but for a small HypnoCoin fee, you can get a hint to progress. I really love this system, since I rather have you getting a crowbar to get yourself unstuck than you getting a guide where it’s very easy to other things and spoil the whole experience. Since the fun of this genre depends highly on solving the puzzles with what’s given to you. If you want to get a hint, just search hint.

Overall I have been extremely positive about this game, and I have to say that overall this game is extremely well-made. I rarely found any moments where I thought, this isn’t right. But does that mean that this game doesn’t have any negatives? Well, sadly enough there are a few things I didn’t like about my experience and that I want to talk about.

First of all, I wish the default text-to-speech voice wasn’t the default language of your system if you aren’t English. I’m from Belgium and my text-to-speech voice reads English extremely weird. Thankfully, I had the English soundpack installed on my computer so after I went into the BIOS settings, I was able to quickly change it to the English one and it sounds a lot more natural and better.

Secondly, this is an issue in general with point-and-click games but the replay value just isn’t here. Once you explored everything, you have seen everything. There are various mini-games, but those are quickly beaten. While I personally don’t really see this is a negative, since not every game needs high replay value and sometimes playing it once and having the whole experience engulf you is the idea… I want to mention it, if somebody is looking for replayable games.

Third, you can find more infractions than what’s required to close the case. While I can understand that the game doesn’t tell you how many other things there are out there for immersion reasons, as somebody who wanted to experience everything, I was sometimes a bit annoyed that I couldn’t make sure I found everything. If only there was an option you could toggle to see completion percentage or something of that nature. Since, because of this, it’s possible to lock yourself out of achievements or content in this game.

Yes, this game has achievements and some of them are extremely tricky to get. It took me a lot of researching and exploring in HypnoSpace to find all the material. Thankfully, taking notes really helped me to find it all.

And the final thing is that the final chapters of this game feel a bit rushed and undercooked. One of the final cases is a breeze to solve if you have written notes during your playthrough and it feels like there is content cut out of the game. The ending comes a bit out of nowhere and if you didn’t explore everything or didn’t register certain things, the ending won’t make sense to you and it will loose it’s impact. Thankfully, the mod I shared earlier resolves this to a degree.

That’s all the negative I could say about this game, in my honest opinion. When this game clicks with you, it clicks really well and doesn’t let go at all. But, I’ll leave my final thoughts after the summary of this review. So, I think it’s high time for that since I have touch upon everything I wanted to in this review.

Summary

The bad:

-Text-to-speech should use English by default

-It’s possible to miss content or lock yourself out of it.

-The game is rather short.

-Rushed ending.

The good:

+ Amazing nostalgic trip

+ Amazing music

+ Fantastic writing

+ Easy to use mod tools

+ Great puzzles

+ Great controls

+ …

Final thoughts:

Hypnospace Outlaw is an amazing nostalgic point-and-click adventure trip through the late ’90’s internet. This game might not be for everyone, but when it clicks… Oh boy does it really click. Now, this is also a game you shouldn’t rush. The charm of this game is in all the little details and references that are hidden in the pages and the world building of this game.

While the game is rather at the shortside for point-and-click games, I don’t see it as a big problem to be honest. The journey that this game took me on was a lot more worth it to me than having a long game. Since, I think it would have lost it’s charm if this game kept going and going.

While I personally have more memories with the internet time period that came right after it, the developers are already working on the sequel to this game called Dreamsettler. I honestly can’t wait to play that one, since the quality that this game has is just top notch. The music is catchy, the visuals are amazing and it alls comes together in an amazing nostalgic trip that makes you want to play more.

There are some minor blemishes on this game, but you can work with them. Like I said before, when this game clicks, it really does click extremely well. I’d compare my experience with games like There Is No Game or SuperLiminal. Amazing small titles that leave a lasting impact on those who play it. All of these games are passion projects that turned out amazing and get a recommendation from me.

If you enjoy playing unique point-and-click games and/or if you have nostalgia for the old ’90’s internet, I highly recommend that you give this game a try. While this game is on multiple platforms, I highly recommend that you play the PC version since it has mod support that gives you even more toys to play with and expands the game even more.

I had a blast with this game and it’s a breath of fresh air for me. I’m angry at myself that I rushed my playthrough, but now I have installed several mods and I’m so going to replay this game after I have published this article. I also want to earn every achievement in this game, since I really want to see everything. I’m also extremely hyped for the sequel to this game and I can’t wait to start playing that, since that is going to be an even bigger nostalgic trip for me than this game. And with the amazing set of developers behind this game, I think we get another gem in our hands.

And with that said, I think it’s high time to wrap this article up. I want to thank you so much for reading and I hope you enjoyed reading it as much as I enjoyed writing it. I hope to be able to welcome you in another article, but until then, have a great rest of your day and take care.

Score: 100/100

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It’s always nice to get some freebies with your electronics purchases, and today Amazon is giving customers a little treat with the purchase of an Amazon Echo speaker. Anyone who gets the Amazon Echo Pop, Echo Dot, Echo, or Echo Spot, will get a free Sengled Smart Color Bulb at no extra price. That’s a $20 value!

Get the Amazon Echo Pop with Sengled Smart Color Bulb for $40

Get the Amazon Echo Dot with Sengled Smart Color Bulb for $50

If you’ve been holding out for a deal on an iPad mini, it may be time to make a move. Apple’s mini-tablet has dropped to a record low on Amazon. Usually $499, the sixth-gen model with 64GB is on sale for a mere $379. If you want more storage, the 256GB variant, typically $649, is on sale for $529.

Although the iPad mini is a niche device these days, it’s still a terrific tablet for those who like something smaller to easily hold in one hand and stow away in a small bag or purse. It can serve as a fancy eReader (through Apple Books, Kindle or any other iPadOS reading app), and it’s handy for perusing other content, watching videos and FaceTiming friends. It even includes Apple’s AI-powered Center Stage feature, which keeps you in frame on video calls.

This sixth-generation model is several years old (it launched in 2021), but it’s still Apple’s newest model. It was the first to shed the old Touch ID home button design from iPads in the days of yore, moving to an 8.3-inch Liquid Retina display that nearly covers its entire face. Like the iPad Air, its Touch ID sensor is on its power / sleep button, which is on the tablet’s side. It has a 2266 x 1488 resolution with 326 ppi.

Its battery life is rated for up to 10 hours, but it lasted around 12 in Engadget’s continuous video playback test. Powering it is the A15 Bionic chip, only one generation behind the A16 found in the (non-Pro) iPhone 15 series.

The iPad mini supports the second-generation Apple Pencil, which attaches magnetically to its side. The tablet includes a USB-C charging port, aligning with Apple’s current standard.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

Folding smartphones have come a long way since the original Samsung Galaxy Fold came out in 2019. They’re smaller, more durable and, even if they aren’t exactly the most budget-friendly phones, they’re more affordable now, too. Whereas you may not have considered a foldable phone as your daily driver five years ago, they’re much more viable options today — and you have many more to choose from. If you’ve been toying with the idea of switching to a folding phone, or you’re ready to upgrade the foldable you already have, we at Engadget can help with your decision-making process. We've spent hundreds of hours and many days testing and reviewing the best foldable phones on the market right now — here's everything you need to know before picking one up.

Note: For this guide, we’re focusing on devices that are widely available in North America and Europe. That’s because while there are even more options for people who live in Asia (especially China), they are often difficult to buy from abroad and may not support your local carriers.

How we test foldable smartphones

When evaluating foldables, we consider the same general criteria as we do when we’re judging the best smartphones. Devices need to have good battery life (at least a full day’s use), bright displays (peaks of at least 1,000 nits), sharp cameras and responsive performance. That said, foldable phones come in different shapes (and sizes); there are varying designs that may appeal to different types of people.

For those who prefer more compact and stylish devices, flip-style foldables resemble old-school namesakes but with flexible interior displays (typically six to seven inches diagonally) and smaller exterior screens. Alternatively, for power users and people who want to maximize mobile productivity, there are larger book-style foldables (with seven to eight-inch main displays) that can transform from a candy bar-style phone to essentially a small tablet when opened.

Are foldable phones worth it? A note on durability

Aside from their displays, the biggest difference between foldable phones and more traditional handsets is durability. That’s because while some models like the Pixel Fold and Samsung’s Galaxy Z line offer IPX8 water resistance (which is good for submersions of up to five feet for 30 minutes), their flexible screens – which are largely made from plastic – present some unique challenges.

Most foldables come with factory-installed screen protectors. However, unlike regular phones, users are instructed not to remove them without assistance from approved service centers. Thankfully, Samsung does offer one free screen protector replacement for its foldables, while Google charges between $29 and $129 depending on the warranty status of your device. That said, while we can’t do long-term testing for every foldable phone on the market, after personally using the Galaxy Z Fold 3 and Galaxy Z Fold 4 each for a year, I’ve found that Samsung’s pre-installed screen protector tends to start bubbling nine to 12 months after purchase. So you’ll probably want to factor in that your foldable may need some sort of servicing after about a year unless you plan on removing the screen protector entirely (which is possible, but goes against most manufacturers' instructions).

Furthermore, foldable phone owners need to be mindful about keeping sharp objects away from their flexible displays, as rocks, keys or even pressing down very hard with a fingernail can leave permanent marks. In the event that you need to get a flexible screen serviced, you’re potentially facing a much higher repair bill when compared to a typical phone (up to $500 or more depending on the model and the severity of the damage). In short, while the ruggedness of foldable phones has improved a lot, they're still more delicate than traditional handsets, which is something you need to account for.

Mark Granger, representing Qualcomm at CES 2024, introduces the Snapdragon digital chassis concept vehicle, a groundbreaking platform designed for in-vehicle infotainment. Watch all my videos from CES 2024 here. Granger suggests selling the vehicle on the market or as a development kit for interested companies. Despite its drivability, the main focus is on in-cabin experiences, showcasing a beautiful UI developed with Unreal Engine. The vehicle demonstrates generative AI capabilities, such as using AI trained on user manuals to answer questions like changing a tire. Granger emphasizes the convenience of AI understanding user queries and providing relevant information. He also showcases a digital twin feature with smooth graphics, illustrating various views and personas, including a fleet driver and a vacationer mode. Snapdragon platforms deliver leading edge AI, high-performance, low-power computing, and unrivaled connectivity across smartphones, PCs, software-defined vehicles with the Snapdragon Digital Chassis, and more. The car boasts 23 speakers for zonal audio, allowing personalized audio experiences in different areas of the vehicle. Granger mentions the collaboration with JP Morgan and Salesforce for wallet solutions and connected services, emphasizing the upgradeability of hardware performance over time. The Qualcomm Automotive module is highlighted, showcasing its seamless integration with cloud-based testing and real-time performance. Moving on, Granger discusses Qualcomm’s advancements in Advanced Driver Assistance Systems (ADAS), including partnerships with OEMs and tier-one systems. The presentation touches on the Snapdragon Automotive module’s compatibility with future generations and its role in speeding up time-to-market for customers. The Flex solution, a single unit handling both infotainment and ADAS, is showcased as a key to scalability for various vehicle types. Granger addresses Qualcomm’s journey in automotive technology, starting with telematics over 20 years ago and evolving into virtualized cockpits in 2014. He emphasizes the company’s commitment to safety and security in ADAS, utilizing the latest Snapdragon processors. The discussion shifts to level 2 and level 3 autonomy as the current focus, with the capability to support higher levels when the market demands it. The booth tour concludes with a demonstration of Qualcomm’s Flex solution, highlighting its ability to efficiently run multiple tasks concurrently. Granger also mentions the potential use of Snapdragon technology in tracking fleets of scooters or two-wheelers. He expresses gratitude to the audience and encourages those interested in development to visit the new Qualcomm Automotive website. Description by Chatgpt.

A project from Ireland, JellyLab X AnatomyHacks, will be on display at MF Rome this October 25-27th about DIY medical innovations.

The post JellyLab X AnatomyHacks: Seeing the Unseen appeared first on Make: DIY Projects and Ideas for Makers.

MIT faculty members Nancy Kanwisher, Robert Langer, and Sara Seager are among eight researchers worldwide to receive this year’s Kavli Prizes.

A partnership among the Norwegian Academy of Science and Letters, the Norwegian Ministry of Education and Research, and the Kavli Foundation, the Kavli Prizes are awarded every two years to “honor scientists for breakthroughs in astrophysics, nanoscience and neuroscience that transform our understanding of the big, the small and the complex.” The laureates in each field will share $1 million.

Understanding recognition of faces

Nancy Kanwisher, the Walter A Rosenblith Professor of Brain and Cognitive Sciences and McGovern Institute for Brain Research investigator, has been awarded the 2024 Kavli Prize in Neuroscience with Doris Tsao, professor in the Department of Molecular and Cell Biology at the University of California at Berkeley, and Winrich Freiwald, the Denise A. and Eugene W. Chinery Professor at the Rockefeller University.

Kanwisher, Tsao, and Freiwald discovered a specialized system within the brain to recognize faces. Their discoveries have provided basic principles of neural organization and made the starting point for further research on how the processing of visual information is integrated with other cognitive functions.

Kanwisher was the first to prove that a specific area in the human neocortex is dedicated to recognizing faces, now called the fusiform face area. Using functional magnetic resonance imaging, she found individual differences in the location of this area and devised an analysis technique to effectively localize specialized functional regions in the brain. This technique is now widely used and applied to domains beyond the face recognition system. 

Integrating nanomaterials for biomedical advances

Robert Langer, the David H. Koch Institute Professor, has been awarded the 2024 Kavli Prize in Nanoscience with Paul Alivisatos, president of the University of Chicago and John D. MacArthur Distinguished Service Professor in the Department of Chemistry, and Chad Mirkin, professor of chemistry at Northwestern University.

Langer, Alivisatos, and Mirkin each revolutionized the field of nanomedicine by demonstrating how engineering at the nano scale can advance biomedical research and application. Their discoveries contributed foundationally to the development of therapeutics, vaccines, bioimaging, and diagnostics.

Langer was the first to develop nanoengineered materials that enabled the controlled release, or regular flow, of drug molecules. This capability has had an immense impact for the treatment of a range of diseases, such as aggressive brain cancer, prostate cancer, and schizophrenia. His work also showed that tiny particles, containing protein antigens, can be used in vaccination, and was instrumental in the development of the delivery of messenger RNA vaccines. 

Searching for life beyond Earth

Sara Seager, the Class of 1941 Professor of Planetary Sciences in the Department of Earth, Atmospheric and Planetary Sciences and a professor in the departments of Physics and of Aeronautics and Astronautics, has been awarded the 2024 Kavli Prize in Astrophysics along with David Charbonneau, the Fred Kavli Professor of Astrophysics at Harvard University.

Seager and Charbonneau are recognized for discoveries of exoplanets and the characterization of their atmospheres. They pioneered methods for the detection of atomic species in planetary atmospheres and the measurement of their thermal infrared emission, setting the stage for finding the molecular fingerprints of atmospheres around both giant and rocky planets. Their contributions have been key to the enormous progress seen in the last 20 years in the exploration of myriad exoplanets. 

Kanwisher, Langer, and Seager bring the number of all-time MIT faculty recipients of the Kavli Prize to eight. Prior winners include Rainer Weiss in astrophysics (2016), Alan Guth in astrophysics (2014), Mildred Dresselhaus in nanoscience (2012), Ann Graybiel in neuroscience (2012), and Jane Luu in astrophysics (2012).

Seated at the grand piano in MIT’s Killian Hall last fall, first-year student Jacqueline Wang played through the lively opening of Mozart’s “Sonata in B-flat major, K.333.” When she’d finished, Mi-Eun Kim, pianist and lecturer in MIT’s Music and Theater Arts Section (MTA), asked her to move to the rear of the hall. Kim tapped at an iPad. Suddenly, the sonata she'd just played poured forth again from the piano — its keys dipping and rising just as they had with Wang’s fingers on them, the resonance of its strings filling the room. Wang stood among a row of empty seats with a slightly bemused expression, taking in a repeat of her own performance.

“That was a little strange,” Wang admitted when the playback concluded, then added thoughtfully: “It sounds different from what I imagine I’m playing.”

This unusual lesson took place during a nearly three-week residency at MIT of the Steinway Spirio | r, a piano embedded with technology for live performance capture and playback. “The residency offered students, faculty, staff, and campus visitors the opportunity to engage with this new technology through a series of workshops that focused on such topics as the historical analysis of piano design, an examination of the hardware and software used by the Spirio | r, and step-by-step guidance of how to use the features,” explains Keeril Makan, head of MIT Music and Theater Arts and associate dean of the School of Humanities, Arts, and Social Sciences.

Wang was one of several residency participants to have the out-of-body experience of hearing herself play from a different vantage point, while watching the data of her performance scroll across a screen: color-coded rectangles indicating the velocity and duration of each note, an undulating line charting her use of the damper pedal. Wang was even able to edit her own performance, as she discovered when Kim suggested her rhythmic use of the pedal might be superfluous. Using the iPad interface to erase the pedaling entirely, they listened to the playback again, the notes gaining new clarity.

“See? We don’t need it,” Kim confirmed with a smile.

“When MIT’s new music building (W18) opens in spring 2025, we hope it will include this type of advanced technology. It would add value not just to Wang’s cohort of 19 piano students in the Emerson/Harris Program, which provides a total of 71 scholars and fellows with support for conservatory-level instruction in classical, jazz, and world music. But could also offer educational opportunities to a much wider swath of the MIT community,” says Makan. “Music is the fifth-most popular minor at MIT; 1,700 students enroll in music and theater arts classes each semester, and the Institute is brimming with vocalists, composers, instrumentalists, and music history students.”

According to Kim, the Spirio enables insights beyond what musicians could learn from a conventional recording; hearing playback directly from the instrument reveals sonic dimensions an MP3 can’t capture. “Speaker systems sort of crunch everything down — the highs and the lows, they all kind of sound the same. But piano solo music is very dynamic. It’s supposed to be experienced in a room,” she says.

During the Spirio | r residency, students found they could review their playing at half speed, adjust the volume of certain notes to emphasize a melody, transpose a piece to another key, or layer their performance — prerecording one hand, for example, then accompanying it live with the other.

“It helps the student be part of the learning and the teaching process,” Kim says. “If there’s a gap between what they imagined and what they hear and then they come to me and say, ‘How do I fix this?’ they’re definitely more engaged. It’s an honest representation of their playing, and the students who are humbled by it will become better pianists.”

For Wang, reflecting on her lesson with Kim, the session introduced an element she’d never experienced since beginning her piano studies at age 5. “The visual display of how long each key was played and with what velocity gave me a more precise demonstration of the ideas of voicing and evenness,” Wang says. “Playing the piano is usually dependent solely on the ears, but this combines with the auditory experience a visual experience and statistics, which helped me get a more holistic view of my playing.”

As a first-year undergraduate considering a Course 6 major (electrical engineering and computer science, or EECS), Wang was also fascinated to watch Patrick Elisha, a representative from Steinway dealer M. Steinert & Sons, disassemble the piano action to point out the optical sensors that measure the velocity of each hammer strike at 1,020 levels of sensitivity, sampled 800 times per second.

“I was amazed by the precision of the laser sensors and inductors,” says Wang. “I have just begun to take introductory-level courses in EECS and am just coming across these concepts, and this certainly made me more excited to learn more about these electrical devices and their applications. I was also intrigued that the electrical system was added onto the piano without interfering with the mechanical structure, so that when we play the Spirio, our experience with the touch and finger control was just like that of playing a usual Steinway.”

Another Emerson/Harris scholar, Víctor Quintas-Martínez, a PhD candidate in economics who resumed his lapsed piano studies during the Covid-19 pandemic, visited Killian Hall during the residency to rehearse a Fauré piano quartet with a cellist, violist, and violinist. “We did a run of certain passages and recorded the piano part. Then I listened to the strings play with the recording from the back of the hall. That gave me an idea of what I needed to adjust in terms of volume, texture, pedal, etc., to achieve a better balance. Normally, when you’re playing, because you’re sitting behind the strings and close to the piano, your perception of balance may be somewhat distorted,” he notes.

Kim cites another campus demographic ripe for exploring these types of instruments like the Spirio | r and its software: future participants in MIT’s relatively new Music Technology Master's Program, along with others across the Institute whose work intersects with the wealth of data the instrument captures. Among them is Praneeth Namburi, a research scientist at the MIT.nano Immersion Lab. Typically, Namburi focuses his neuroscience expertise on the biomechanics of dancing and expert movement. For two days during the MTA/Spirio residency, he used the sensors at the Immersion Lab, along with those of the Spirio, to analyze how pianists use their bodies.

“We used motion capture that can help us contrast the motion paths of experts such as Mi-Eun from those of students, potentially aiding in music education,” Namburi recounts, “force plates that can give scientific insights into how movement timing is organized, and ultrasound to visualize the forearm tissues during playing, which can potentially help us understand musicianship-related injuries.”

“The encounter between MTA and MIT.nano was something unique to MIT,” Kim believes. “Not only is this super useful for the music world, but it’s also very exciting for movement researchers, because playing piano is one of the most complex activities that humans do with our hands.”

In Kim’s view, that quintessentially human complexity is complemented by these kinds of technical possibilities. “Some people might think oh, it's going to replace the pianist,” she says. “But in the end it is a tool. It doesn’t replace all of the things that go into learning music. I think it's going to be an invaluable third partner: the student, the teacher, and the Spirio — or the musician, the researcher, and the Spirio. It's going to play an integral role in a lot of musical endeavors.”

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